AmsterdamâLandauerâs eye relaxed as he talked; Davis smoked cigars with him, drank beer with himâLondon, Paris, Rome, Geneva, Vienna again. âAt the Colonneâdo you know the Colonne?â Davis nodded. âAt the Colonne I had my great failure, doing the Brahms, 1908, I think, the year after Joachim died, and the audiences were not ready.â
âEven now Brahms has a hard time in Paris,â Davis said. âBut they like the violin concerto. Oistrakh did it in â53. Brought the house down. But they donât know the solo piano work.â
âNeither does anyone else. Only recitals in Vienna. Your Huneker loved it. He had a good deal to say about music. When were you first in Paris?â
Davis grinned. âIn 1926. I joined the Navy very young. I had six months in the Mediterranean. Youâll be disappointed in me: I saw few concerts.â
âOf course.â Landauer smiled. âAnd then?â
âThen the Philippines, and then Panama. One thing: I learned languages. French, Italian, Spanish. I was in Panama for a year. Fell in love. She was twenty-seven, a madam, retired from active work, too old for that sort of thing. I almost married her. She was too old. What was it Fitzgerald said? âShe was an aging but still beautiful woman of twenty-eightâ? Something like that. I wish I had, sometimes. I could be drinking cold beer on a veranda, smoking this same cigar and decomposing gracefully.â
âI have not read Fitzgerald,â Landauer said. âAfter that?â
âI left the Navy after three years,â Davis said. âIntellectual pretensions. Law school. The depression. Back to Europe. A couple of years of drifting around. Then I was ready for concerts, Mozart. I wasnât so happy with people any more, with life. You know the feeling. I had scars from fights. Once Iâd thought of them as badges of honor: courage, the man who risks. Now they were stupid: manâs bestiality to man. And the poverty, I was sick of poverty, mine and everybody elseâs. So I came back finally and came here. I used what I had, the languages and foreign ports and funny stories about whores and drinking and foreigners. They thought I was cute. You know the word. Cute. So one cute thing led to another, and I was a success. I was alsoâstill amâa damn good lawyer. And here a good lawyer has spectacular clients. If he does well by them heâs rich and famous. So Iâm rich and famous.â
âAnd no wife,â Landauer said. âNo children.â
Davis shrugged. âAfraid, I suppose. All bachelors want to marry; all married men wish they hadnât. It must mean something.â
âBut children,â Landauer objected.
âI know. I have nothing against them.â Davis shrugged again. âIt happened this way. Why complain? And whoâs defending whom, by the way?â
âPerfectly right,â Landauer said, smiling, âalthough I have a right to know these things. I will tell you now about the death of a prodigy.â
It was not a new story. The reviews were the same for three years; the war came and passed; after the war the reviews were no different. Landauer had ceased to progress. âI retired,â he said. âFor five years I did not play publicly. During this time I began to compose. I also began to think. Vienna after the war was unpleasant, you know. And what made it worse was that so many tried to pretend that nothing had happened. So we were all at our worst, even I, locked away and composing. When I walked out and looked around me I saw a desolation. A true desolation, you understand? Courage had turned to greed; modesty had turned to cleverness; love had turned to self-love; sacrifice had become bargaining. The women were whores and the men liked them for it. And to me, who had been so long isolated, it was horrible. I saw at once that the virtues I had known had never been
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