it seemed to me: discolored as if by age or smoke. The sea-kingsâ treasures, piled high
against
walls that seemed, when I first saw them, to be
gleaming sheets
of chalcedony and mottled jade, with beams of ebony, were dark, ambiguous hues, uncertain forms in the
flicker
of torches. There were figures of goldlike substanceâ
curious ikons
with staring eyes. There were baskets, carpets, bowls,
weapons,
animals staring like owls from their lashed wooden
cages. The hall
was heavy, oppressive with the wealth of Kreonâs
visitors.
The harpsong ended. In a shadowy corner of the great
dim room
dancing girlsâslaves with naked breastsâjangled
their bracelets
and fled. A horn of bone sang out. A silence. Then ⦠as flash floods burst in their headlong rush down
mountain flumes
when melting snowcaps join with the first warm
summer rains,
sweeping off all that impedes them, swelling the
gullies and creeks
to the brim and beyond, all swirling, glittering,âso
down the aisles
of Kreonâs hall, filling each gap between trestle-tables, platters held high, hurtling along like boulders and
driftwood,
silver and gold on the currentâs crest, came Kreonâs
slaves.
Their trays came loaded with stews and sauces, white
with steamclouds,
some piled high with meats of all kinds; some trailed
blue flame.
A great Ah! like the ocean drawn back from the pebbles
of the shore
welled through the room. Jason, dark head lowered,
smiled.
The huge Koprophoros snatched like a hungry bear at
food.
They mock me,â he whimpered to the man beside him.
Theyâll change their tune!â
The torches flickered. Kreon patted his hands together. When I closed my eyes the sound of their eating was
the faraway roar
of dark waves grinding over bouldersâominous,
mindless.
4
Sunset. She sat in the room that opened on the terrace
and garden
watching the red go out of roses, the red-orange flame drain gradually out of the sky. Leaves, branches of
trees,
flowers that an hour before had been sharp with color,
became
all one, dark figures etched into dusk. Shade by shade they became one tone with the night. From Kreonâs
palace above,
its torchlit walls just visible here and there through gaps in the heavy bulk of oaks, occasional sounds came down, a burst of laughter, a snatch of song, the low boom of table chatter, and now and then some nearer voice, a guard, a servant at the gatesâall far away, bell-like, ringing off smooth stone walls and walkways, glancing
off pools,
annulate tones moving out through the arch of
distances.
At times, above more muted sounds, I could hear the
drone
of the female slave, Agapetika, putting the children to
bed,
and sometimes a muttered rebuke from the second of
the slaves, the man.
Medeia sat like marble, expressionless, white hands
clamped
on the arms of her chair. It was as if she were holding
the room together
by her own stillness, a delicate balance like that of the
mind
of Zeus oâervaulting the universe, enchaining dragons by thought. So she sat for a long time. Then, abruptly, she turnedâa barely perceptible shiftâ and looked at the door, listening. Two minutes passed. The breathlike whisper of sandals came from the
corridor.
After a time, the old womanâs form emerged at the
doorway,
stooped, as heavy as stone, her white flesh liver-spotted, draped from head to foot in cinereal gray, her weight buttressed by two thick canes. The slave looked in,
dim-eyed.
Thank you, Agapetika,â Medeia said.
No answer. But slowlyâso slowly I found it hard to
be sure
from second to second whether or not she was still
movingâ
the old woman came forward. âMedeia, youâre ill again!â A moan like a dogâs. Medeia got up suddenly, angrily, and went out to stand on the terrace, her back to the slave. Another long silence. The sounds coming
down from the palace
were
Clara James
Rita Mae Brown
Jenny Penn
Mariah Stewart
Karen Cushman
Karen Harper
Kishore Modak
Rochelle Alers
Red Phoenix
Alain de Botton