fell away, rolling over against the wall and twisting around to face the direction from which the bullets were coming.
I twisted around just in time to seeâjerking out of sight behind a corner of the passage that gave to a small dining roomâGuy Cudnerâs scarred face. And as it disappeared a bullet from Orrettâs gun splattered the plaster from the wall where it had been.
I grinned at the thought of what must be going on in Orrettâs head as he lay sprawled out on the floor confronted by two Cudners. But he took a shot at me just then and I stopped grinning. Luckily, he had to twist around to fire at me, putting his weight on his wounded arm, and the pain made him wince, spoiling his aim.
Before he had adjusted himself more comfortably I had scrambled on hands and knees to Pigaittiâs kitchen doorâonly a few feet awayâand had myself safely tucked out of range around an angle in the wall; all but my eyes and the top of my head, which I risked so that I might see what went on.
Orrett was now ten or twelve feet from me, lying flat on the floor, facing Cudner, with a gun in his hand and another on the floor beside him.
Across the room, perhaps thirty feet away, Cudner was showing himself around his protecting corner at brief intervals to exchange shots with the man on the floor, occasionally sending one my way. We had the place to ourselves. There were four exits, and the rest of Pigattiâs customers had used them all.
I had my gun out, but I was playing a waiting game. Cudner, I figured, had been tipped off to Orrettâs search for him and had arrived on the scene with no mistaken idea of the otherâs attitude. Just what there was between them and what bearing it had on the Montgomery murders was a mystery to me, but I didnât try to solve it now. I kept away from the bullets that were flying around as best I could and waited.
They were firing in unison. Cudner would show around his corner, both menâs weapons would spit, and he would duck out of sight again. Orrett was bleeding about the head now and one of his legs sprawled crookedly behind him. I couldnât determine whether Cudner had been hit or not.
Each had fired eight, or perhaps nine, shots when Cudner suddenly jumped out into full view, pumping the gun in his left hand as fast as its mechanism would go, the gun in his right hand hanging at his side. Orrett had changed guns, and was on his knees now, his fresh weapon keeping pace with his enemyâs.
That couldnât last!
Cudner dropped his left-hand gun, and, as he raised the other, he sagged forward and went down on one knee. Orrett stopped firing abruptly and fell over on his backâspread out full-length. Cudner fired once moreâwildly, into the ceilingâand pitched down on his face.
I sprang to Orrettâs side and kicked both of his guns away. He was lying still but his eyes were open.
âAre you Cudner, or was he?â
âHe.â
âGood!â he said, and closed his eyes.
I crossed to where Cudner lay and turned him over on his back. His chest was literally shot to pieces.
His thick lips worked, and I put my ear down to them.
âI get him?â
âYes,â I lied, âheâs already cold.â
His dying face twisted into a triumphant grin.
âSorry ⦠three in hotel â¦â he gasped hoarsely. âMistake ⦠wrong room ⦠got one ⦠had to ⦠other two ⦠protect myself ⦠I â¦â
He shuddered and died.
A week later the hospital people let me talk to Orrett. I told him what Cudner had said before he died.
âThatâs the way I doped it out,â Orrett said from out of the depths of the bandages in which he was swathed. âThatâs why I moved and changed my name the next day.â
âI suppose youâve got it nearly figured out by now,â he said after a while.
âNo,â I confessed, âI havenât.
Joyce Magnin
James Naremore
Rachel van Dyken
Steven Savile
M. S. Parker
Peter B. Robinson
Robert Crais
Mahokaru Numata
L.E. Chamberlin
James R. Landrum