marriage?â
âYes.â
âDid you have other women?â
âNo.â
âDid Seraphina have another man?â
He smiled oddly, shrugging his shoulders. âNo.â
âWere you happy?â
Without answering, Tom stood up and moved over to his dead wifeâs photograph. Picking it up, he traced her face with the tip of his forefinger, pressing it firmly into the glass as if he wanted to break through to the image beneath.
âWe met, fell in love, and got married. My company sent me here to work, and Seraphina was thrilled. After all, it was her birthplace; she loved Venice, knew so much about it.â He put the picture down and pushed his hands deep into his pockets. âFor the first six months it was heaven â I couldnât believe I could be so happy. My first marriage was shitââ
âYou were married before?â
âYeah, and before you ask, my ex-wife isnât dead. She went off with someone else.â His tone was abrasive. âThen, when Seraphina and I moved here, things got even better.â
âSo you didnât always live in this apartment?â
âNo, she didnât like the one we first lived in, so we moved. Anything to make the little woman happy, hey?â He walked over to Nino. âAre you married?â
âNo.â
âI wondered, what with you being prematurely grey and all.â He smiled at his own joke, turning to look out of the window. âWhy was Seraphina visiting this Gaspare Reni?â
Lying wasnât difficult. âShe was just looking up an old friend.â
âShe didnât tell me about it. Seraphina told me about everything else she did in London, but she didnât mention you or Gaspare Reni. So maybe,â he said, his tone challenging, âI should be suspicious of
you
. Maybe I should be asking
you
questions. Like why was she visiting Gaspare Reni?â
âJust a social visit.â
âNothing else?â
âNo.â
âSo my wife visited a man she hadnât seen for years, just to say hello?â
âThatâs right.â
Pausing, Tom Morgan stared down at his bare feet. With his left foot he traced out the pattern in the carpet, his hands still in his pockets. Silent, Nino watched him. Did he know about the painting? Despite Gaspareâs warning,
had
Seraphina told her husband about it? And had he told someone else? He was an interior designer â a Titian portrait would have fascinated him. And it would have been very profitable if heâd been able to sell it. Perhaps Tom Morgan had been angry, wanting his wife to get the painting off Gaspare Reni so he could sell it on to one of his wealthy customers. Perhaps they had fallen out over it. Fought over it.
âHowâs your business doing?â Nino asked suddenly.
âFine. Howâs yours?â
âThis place,â Nino said, looking around, âmust cost a lot to maintain. Do you rent it or own it?â
âRent it. We still own the other apartment.â
âYou owned the one you moved from?â
âYeah.â
Nino didnât know why he asked the question, it just came out. âWhy did you move from the other flat?â
âIt had bad vibes â¦â Tom said, laughing and regaining his seat. He rummaged around in the ashtray for the stub of his joint and relit what was left. âSeraphina found out thereâd been a murder there. It was supposed to have happened centuries ago. But then, I reckon every apartment in this city has a past. The place is so old, it must be littered with murders.â He paused, remembering his dead wife. âSeraphinaâs just one more, isnât she? Just one more victim.â His left hand waved idly in the air. âThe police tell me that I canât leave Venice. But I didnât have anything to do with my wifeâs death. I loved Seraphina, I couldnât have hurt her. Her parents
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