through a slow, slow set of Tai Chi, so slow that he barely moves at all, except that inside he can feel the moving, can feel the muscles' every flex and groan as they wind up release, move and swing and slide.
Single whip slides into crane opens wings and he needs to crouch down low, lower than his woolen slacks will let him, and they're grimy and gross anyway, so he undoes his belt and kicks them off. Down low as white crane opens wings and brush knee, punch, apparent closure, then low again, creakingly achingly low into wave hands like clouds, until his spine and his coccyx crackle and give, springing open, fascia open ribs open smooth breath rising and falling with his diaphragm smooth mind smooth and sweat cool in the mat of his hair.
He moves through the set and does not notice Linda until he unwinds into a slow, ponderous lotus kick, closes again, breathes a moment and looks around slowly, grinning like a holy fool.
She's in a tartan housecoat with a threadbare towel wrapped around her hair, water beading on her bony ankles and long, skinny feet. "Art! God*damn*, Art! What the hell was that?"
"Tai chi," he says, drawing a deep breath in through his nostrils, feeling each rib expand in turn, exhaling through his mouth. "I do it to unwind."
"It was beautiful! Art! Art. Art. That was, I mean, wow. Inspiring. Something. You're going to show me how to do that, Art. Right? You're gonna."
"I could try," Art says. "I'm not really qualified to teach it -- I stopped going to class ten years ago."
"Shut, shut up, Art. You can teach that, damn, you can teach that, I know you can. That was, wow." She rushes forward and takes his hands. She squeezes and looks into his eyes. She squeezes again and tugs his hands towards her hips, reeling his chest towards her breasts tilting her chin up and angling that long jawline that's so long as to be almost horsey, but it isn't, it's strong and clean. Art smells shampoo and sandalwood talc and his skin puckers in a crinkle that's so sudden and massive that it's almost audible.
They've been together continuously for the past five days, almost without interruption and he's already conditioned to her smell and her body language and the subtle signals of her face's many mobile bits and pieces. She is afire, he is afire, their bodies are talking to each other in some secret language of shifting centers of gravity and unconscious pheromones, and his face tilts down towards her, slowly with all the time in the world. Lowers and lowers, week-old whiskers actually tickling the tip of her nose, his lips parting now, and her breath moistens them, beads them with liquid condensed out of her vapor.
His top lip touches her bottom lip. He could leave it at that and be happy, the touch is so satisfying, and he is contented there for a long moment, then moves to engage his lower lip, moving, tilting.
His comm rings.
His comm, which he has switched off, rings.
Shit.
"Hello!" he says, he shouts.
"Arthur?" says a voice that is old and hurt and melancholy. His Gran's voice. His Gran, who can override his ringer, switch on his comm at a distance because Art is a good grandson who was raised almost entirely by his saintly and frail (and depressive and melodramatic and obsessive) grandmother, and of course his comm is set to pass her calls. Not because he is a suck, but because he is loyal and sensitive and he loves his Gran.
"Gran, hi! Sorry, I was just in the middle of something, sorry." He checks his comm, which tells him that it's only six in the morning in Toronto, noon in London, and that the date is April 8, and that today is the day that he should have known his grandmother would call.
"You forgot," she says, no accusation, just a weary and disappointed sadness. He has indeed forgotten.
"No, Gran, I didn't forget."
But he did. It is the eighth of April, 2022, which means that it is twenty-one years to the day since his mother died. And he has forgotten.
"It's all right. You're busy, I
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