Irish Literature - House of Mourning and Other Stories

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Authors: Desmond Hogan
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himself and in so doing he forwent some of the pleasures of the summer. Not only had he left the green cricket fields by the river but he had come to a city that exhaled news bulletins. He was not staying long.
    He strolled into a cavern of death for behind the cheery faces of London that summer was death. Bert would do his course in Cheapside and not linger. Badges pressed against military lapels, old dishonours to Ireland. Once Bert had taken a Protestant girl out. They sailed in the bumpers at the October fair together. That was the height of his forgiveness for England. He did not consider playing cricket a leaning to England. Cricket was an Irish game, pure and simple, as could be seen from its popularity in his small, Protestant-built town.
    Living was not easy for Bert in London; an Irish landlady—she was from Armagh, a mangy woman—had him. Otherwise the broth of his accent was rebuffed. He stooped a little under English disdain, but his hair was still orange and his face ruddy in fragments. By day Bert travailed; a dusty, dark cubicle. At evenings he walked. It was the midsummer that made him raise his head a little.
    Twilight rushing over the tops of the trees at the edge of Hyde Park made him think of his dead parents, Galway people. He was suddenly both proud of and abstracted by his lineage. A hat was vaunted by his red hands on his waist. One evening, as perfumes and colours floated by, he thought of his mother, her tallness, her military posture, the black clothes she had always been stuffed into. In marrying her husband she declared she’d married a bucket. Her face looked a bit like a bucket itself.
    Bert had recovered his poise. The width of his shoulders breathed again. His chest was out. It was that evening a young man wearing a scarlet tie stopped and talked to him under a particularly dusky tree by Hyde Park. ‘You’re Irish,’ the young man had said. ‘How do you know?’ ‘Those sparkling blue eyes.’ The young man had worn a kind of perfume himself. ‘You know,’ he said—his accent was very posh—‘there’s going to be a war. You would be better off in Ireland.’ Bert considered the information. ‘I’m here on a course.’ Between that remark and a London hotel there was an island of nothing. Masculine things for Bert had always been brothers pissing, the spray and the smell of their piss, smelly Protestants in the cricket changing rooms. That night Bert—how he became one he did not know—was a body. His youth was in the hands of an Englishman from Devon. The creaminess of his skin and the red curls of his hair had attained a new state for one night, that of an angel at the side of the Gothic steeple at home. There was beauty in Bert’s chest. His penis was in the fist of another young man.
    Marriage, children, a drapery business in Ireland virtually eliminated it all but they could not quite eliminate the choice colours of sin, red of handkerchiefs in men’s pockets in a smoky hotel lounge, red of claret wine, red of blood on sheets where love-making was too violent. In the morning there was a single thread of a red hair on a pillow autographed in pink.
    When my father opened his drapery business he ran it by himself for a while but on his marriage he felt the need for an assistant and Patsy was the first person who presented himself for the job. It was Patsy’s black hair, his child’s lips, his Roman sky-blue eyes that struck a resonance in my father. Patsy came on in autumn day. My father was reminded of a night in London. His partnership with Patsy was a marital one. When I came along it was me over my brothers Patsy chose. He was passing on a night in London. The young man in London? He’d worn a scarlet tie. My father specialized in ties. Patsy wore blue and emerald ones to town dos. He was photographed for the Connaught Tribune in a broad, blue, black-speckled one. His shy smile hung over the tie. Long years ago my mother knew there was something missing from her

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