The book-seller had keeled over one day down in the basement. Heart attack, the authorities said. But Walker had known from the start that Fitch was bad news, an outsider who did not belong in the Cove. No loss.
He walked some more and checked out the windows of Isabella’s apartment above Toomey’s Treasures. The shades were closed but the lights were on. She was safe inside for the night. That was good. That was the way it should be.
Walker heard the low growl of Jones’s SUV in the street. The PI was back in town. The pressure in Walker’s head eased.
Jones parked the big vehicle behind the building that housed the Jones & Jones office. Walker waited in a darkened doorway, hands crammed into his pockets. He watched the upstairs window of the agency, waiting for the lights to go on inside. The lights were almost always on in J&J.
But the lights did not come on tonight. Instead, Fallon Jones emerged on the street and started toward Isabella’s apartment. He carried his computer in one hand and a bulky object wrapped in a blanket under one arm. He walked right past the doorway where Walker stood. Most folks would not have been aware that Walker was there, but Jones always seemed to sense his presence, always acknowledged him.
“Evening, Walker,” Fallon Jones said.
Walker did not respond. He was too stunned. He did not know what Jones was carrying in the blanket, but he recognized the traces of energy emanating from the object.
The pressure in his head abruptly got stronger, becoming almost intolerable. He resumed his rounds in a desperate effort to ease the pain while he tried to decide how to handle the catastrophe that had just struck the Cove.
6
H er name was Millicent Bridewell,” Fallon said. “She was a brilliant inventor and a trained clockmaker who lived during the Victorian era. She was also a powerful talent with a very unusual gift for accessing the paranormal properties of glass. All of her inventions include glass of some kind.”
“Like the face of the clock?” Isabella asked.
“Yes.” Fallon looked at the blanket-wrapped clock sitting on the floor of Isabella’s apartment. “Glass is still a big mystery to the Arcane experts. It’s unique in that it has properties of both liquids and solids. Generally speaking, paranormal energy passing through glass has unpredictable effects. But Bridewell figured out how to control the results. She used her talents to create a large number of what she called her clockwork curiosities. They were actually weapons.”
“How many did she make?” Isabella asked.
“No one knows for certain. She operated a legitimate shop that featured beautiful clockwork curiosities. Essentially, her creations were elegant toys for wealthy collectors. But she also ran a side business that catered to a different clientele.”
“What kind of clientele would that be?”
“Folks who wanted other folks such as inconvenient spouses or business partners permanently removed.”
“Got it,” Isabella said. “In other words Mrs. Bridewell ran a murder-for-hire business.”
“Well, in fairness to Mrs. B, she always insisted that the customer had to actually commit the murder. She considered herself an artist, after all, not a professional killer.”
“But she supplied the murder weapon,” Isabella said.
“Which was disguised as a charming example of the clockmaker’s art. The victim never saw it coming until it was too late.”
Fallon took a swallow of the whiskey Isabella had poured for him and let himself sink into the lumpy sofa. A great weariness was seeping into his bones, but it was not the kind of drowsiness that would promote sleep. The whiskey was taking off some of the edge, but it couldn’t touch the deep places. He would not get any real rest tonight. Just as well—he needed to think.
He watched Isabella through half-closed eyes. She was moving around in the minuscule kitchenette, putting together a meal. Her motions were economical, efficient,
He walked some more and checked out the windows of Isabella’s apartment above Toomey’s Treasures. The shades were closed but the lights were on. She was safe inside for the night. That was good. That was the way it should be.
Walker heard the low growl of Jones’s SUV in the street. The PI was back in town. The pressure in Walker’s head eased.
Jones parked the big vehicle behind the building that housed the Jones & Jones office. Walker waited in a darkened doorway, hands crammed into his pockets. He watched the upstairs window of the agency, waiting for the lights to go on inside. The lights were almost always on in J&J.
But the lights did not come on tonight. Instead, Fallon Jones emerged on the street and started toward Isabella’s apartment. He carried his computer in one hand and a bulky object wrapped in a blanket under one arm. He walked right past the doorway where Walker stood. Most folks would not have been aware that Walker was there, but Jones always seemed to sense his presence, always acknowledged him.
“Evening, Walker,” Fallon Jones said.
Walker did not respond. He was too stunned. He did not know what Jones was carrying in the blanket, but he recognized the traces of energy emanating from the object.
The pressure in his head abruptly got stronger, becoming almost intolerable. He resumed his rounds in a desperate effort to ease the pain while he tried to decide how to handle the catastrophe that had just struck the Cove.
6
H er name was Millicent Bridewell,” Fallon said. “She was a brilliant inventor and a trained clockmaker who lived during the Victorian era. She was also a powerful talent with a very unusual gift for accessing the paranormal properties of glass. All of her inventions include glass of some kind.”
“Like the face of the clock?” Isabella asked.
“Yes.” Fallon looked at the blanket-wrapped clock sitting on the floor of Isabella’s apartment. “Glass is still a big mystery to the Arcane experts. It’s unique in that it has properties of both liquids and solids. Generally speaking, paranormal energy passing through glass has unpredictable effects. But Bridewell figured out how to control the results. She used her talents to create a large number of what she called her clockwork curiosities. They were actually weapons.”
“How many did she make?” Isabella asked.
“No one knows for certain. She operated a legitimate shop that featured beautiful clockwork curiosities. Essentially, her creations were elegant toys for wealthy collectors. But she also ran a side business that catered to a different clientele.”
“What kind of clientele would that be?”
“Folks who wanted other folks such as inconvenient spouses or business partners permanently removed.”
“Got it,” Isabella said. “In other words Mrs. Bridewell ran a murder-for-hire business.”
“Well, in fairness to Mrs. B, she always insisted that the customer had to actually commit the murder. She considered herself an artist, after all, not a professional killer.”
“But she supplied the murder weapon,” Isabella said.
“Which was disguised as a charming example of the clockmaker’s art. The victim never saw it coming until it was too late.”
Fallon took a swallow of the whiskey Isabella had poured for him and let himself sink into the lumpy sofa. A great weariness was seeping into his bones, but it was not the kind of drowsiness that would promote sleep. The whiskey was taking off some of the edge, but it couldn’t touch the deep places. He would not get any real rest tonight. Just as well—he needed to think.
He watched Isabella through half-closed eyes. She was moving around in the minuscule kitchenette, putting together a meal. Her motions were economical, efficient,
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