In the Flesh
sound of bees blotted out even her own breath, she played that hidden hand. And, as surely as in

    dreams, the room and the fiend were painted out and gone.

     

     

     

     

      She woke from brightness into dark. There were several panicked moments when she couldn't think of where she was, then several more when she remembered. But there was no pain about her body. She put her hand to her neck; it was, barring the nick of the hook, untouched. She was lying on the mattress she realized. Had she been assaulted as she lay in a faint? Gingerly, she investigated her body. She was not bleeding; her clothes were not disturbed. The Candyman had, it seemed, simply claimed his kiss.

     

      She sat up. There was precious little light through the boarded window - and none from the front door. Perhaps it was closed, she reasoned. But no; even now she heard somebody whispering on the threshold. A woman's voice.

     

      She didn't move. They were crazy, these people. They had known all along what her presence in Butts' Court had summoned, and they had protected him - this honeyed psychopath; given him a bed and an offering of bonbons, hidden him away from prying eyes, and kept their silence when he brought blood to their doorsteps. Even Anne-Marie, dry-eyed in the hallway of her house, knowing that her child was

    dead a few yards away.

     

      The child! That was the evidence she needed. Somehow they had conspired to get the body from the casket (what had they substituted; a dead dog?) and brought it here - to the Candyman's tabernacle - as a toy, or a lover. She would take Baby Kerry with her - to the police - and tell the whole story. Whatever they believed of it - and that would probably be very little - the fact of the child's body was incontestable. That way at least some of the crazies would suffer for their conspiracy. Suffer for her suffering.

     

      The whispering at the door had stopped. Now somebody was moving towards the bedroom. They didn't bring a light with them. Helen made herself small, hoping she might escape detection.

     

      A figure appeared in the doorway. The gloom was too impenetrable for her to make out more than a slim figure, who bent down and picked up a bundle on the floor. A fall of blonde hair identified the newcomer as Anne-Marie: the bundle she was picking up was undoubtedly Kerry's corpse. Without

     

    looking in Helen's direction, the mother about-turned and made her way out of the bedroom.

     

      Helen listened as the footsteps receded across the living-room. Swiftly, she got to her feet, and crossed to the passageway. From there she could vaguely see Anne-Marie's outline in the doorway of the maisonette. No lights burned in the quadrangle beyond. The woman disappeared and Helen followed as speedily as she could, eyes fixed on the door ahead. She stumbled once, and once again, but reached the door in time to see Anne-Marie's vague form in the night ahead.

     

      She stepped out of the maisonette and into the open air. It was chilly; there were no stars. All the lights on the balconies and corridors were out, nor did any burn in the flats; not even the glow of a television. Butts' Court was deserted.

     

      She hesitated before going in pursuit of the girl. Why didn't she slip away now?, cowardice coaxed her, and find her way back to the car. But if she did that the conspirators would have time to conceal the child's body. When she got back here with the police there would be sealed lips and shrugs, and she would be told she had imagined the corpse and the Candyman. All the terrors she had tasted would recede into rumour again. Into words on a wall. And every day she lived from now on she would loathe herself for not going in pursuit of sanity.

     

      She followed. Anne-Marie was not making her way around the quadrangle, but moving towards the centre of the lawn in the middle of the court. To the bonfire! Yes; to the bonfire! It loomed in front of Helen now,

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