In the Evil Day

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Authors: Peter Temple
Tags: FIC000000, FIC050000, FIC019000
he saw the last light of day on the silver lake. Three small boats were tacking towards the Pöseldorf shore, on their sails a colour the palest rose.
    In the building, Baader was gone, returned to his child bride, and the shifts had changed. Inskip was back.
    ‘There may be life outside this place,’ he said in his languid English voice, not looking at Anselm. ‘Have you considered that?’
    ‘Movement, yes,’ Anselm said. ‘Life is another matter.’
    ‘I’ll settle for movement,’ said Inskip. ‘Up and down. You may or may not be pleased by some initiative I’ve shown. A Ms Christina Owens came up on the Continental database. The Campo woman checked in as C. Owens at a hotel in Vancouver six years ago. Someone in Canada found that out for the client.’
    ‘Yes?’
    ‘Christina Owens is staying at a hotel in Barcelona. The security man’s given me some pictures.’
    ‘Let’s see.’
    Inskip tapped, they waited, the screen began running a jerky hotel lobby surveillance film, four cameras: entrance, reception desk, seating area, lifts.
    A couple came in the door, a woman with shoulder-length hair and a man walking just behind her. They saw him at the desk collecting a key. At the lifts, waiting, she turned her head to him, a younger man, said something, curt, impatient. He shrugged, raised a hand. The lift doors opened and they entered.
    ‘Again.’
    The couple came into view walking through the doors from the street.
    Anselm raised a finger.
    Inskip froze the film. She was head-on to the camera.
    Anselm made the enlarge sign.
    It was a taut-skinned face, perky nose, eyebrows pencilled in, full lower lip.
    ‘Save it.’
    The box file was at Inskip’s elbow. Anselm opened it, took out the top photograph: a woman, mid-twenties perhaps, hair pulled back, long nose, glasses. She had the face to play a librarian in a Hollywood film and she bore no resemblance to the woman in the Barcelona hotel surveillance video.
    Anselm looked at the name and date pencilled on the back: Lisa Campo, October 1990.
    ‘What’s the nature of her malfeasance?’ said Inskip.
    ‘She’s an accountant. Worked for Charlie Campo, a Midwest pizza prince. She became Mrs Campo, stashed around six million dollars offshore for Charlie. Skimmed money. Then she took off. Our client says there’s five million moved, vanished. And all Charlie’s got is this old driver’s licence shot.’
    ‘Sad, really.’
    ‘Send the pic and the whole video to the Jocks, marked Rush. They may still be upright, capable of responding today.’
    The firm sometimes used people in Glasgow, experts in facial recognition, academics making a buck on the side, putting taxpayer-funded research to good use.
    Inskip said, ‘You’re suggesting that these totally different women might be the same person?’
    ‘I’m just running up the bill.’
    He nodded. ‘How uncommercial of me. What do the Jocks do? Apply haggis-fuelled intuition?’
    In spite of his considerable hacking skills, Inskip pretended to technological bewilderment, an upper-class English attitude of puzzlement and disdain.
    ‘This’ll be over your head, old fruit,’ Anselm said, ‘but they use something called PCA, principal component analysis. You establish a person’s eigenface, then you compare any other face’s eigenvectors, beginning with eyes, nose and mouth. It’s well established but the Jocks have come up with a few tricks of their own.’
    Inskip rolled his chair back, ran fingers through his hair. ‘Eigenface? Why do the English think a German word is more serious than an English one? I mean, really, what has Doppelgänger actually got going for it?’
    ‘Didn’t register anything except the one word, did you? Send the pics.’
    Anselm was reading the logs when Inskip loomed in the doorway.
    ‘John. The sporran-swingers say 100 per cent positive.’ He wrinkled his brow. ‘I cannot believe that.’
    Anselm looked at him for a while. ‘Her eigenface. Plastic surgery couldn’t

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