In the Country of Last Things

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Authors: Paul Auster
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shouted. “Are you crazy? You’ll have to kill me first. I won’t part with a single one—not ever! It’s a mutiny, that’s what it is. An insurrection! One more word out of you, and you’ll walk the plank!”
    His only other passion seemed to be catching the mice that lived in the walls of the house. We could hear them scampering around in there at night, gnawing away at whatever minuscule pickings they had found. The racket got so loud at times that it disrupted our sleep, but these were clever mice and not readily prone to capture. Ferdinand rigged up a small trap with wire mesh and wood, and each night he would dutifully set it with a piece of bait. The trap did not kill the mice. When they wandered in for the food, the door would shut behind them, and they would be locked inside the cage. This happened only once or twice a month, but on those mornings when Ferdinand woke up and discovered a mouse in there, he nearly went mad with happiness—hopping around the cage and clapping his hands, snorting boisterously in an adenoidal rush of laughter. He would pick up the mouse by the tail, and then, very methodically, roast it over the flames of the stove. It was a terrible thing to watch, with the mouse wriggling and squeaking for dear life, but Ferdinand wouldjust stand there, entirely engrossed in what he was doing, mumbling and cackling to himself about the joys of meat. A breakfast banquet for the captain, he would announce when the singeing was done, and then, chomp, chomp, slobbering with a demonic grin on his face, devour the creature fur and all, carefully spitting out the bones as he chewed. He would put the bones on the window sill to dry, and eventually they would be used as pieces for one of his ships—as masts or flagpoles or harpoons. Once, I remember, he took apart a set of mouse’s ribs and used them as oars for a galley ship. Another time, he used a mouse’s skull as a figurehead and attached it to the prow of a pirate schooner. It was a bright little piece of work, I have to admit, even if it disgusted me to look at it.
    On days when the weather was good, Ferdinand would position his chair in front of the open window, lay his pillow on the sill, and sit there for hours on end, crouched forward, his chin in his hands, looking out at the street below. It was impossible to know what he was thinking, since he never uttered a word, but every now and then, say an hour or two after one of these vigils had ended, he would begin babbling in a ferocious voice, spewing out streams of belligerent nonsense. “Grind ’em all up,” he would blurt out. “Grind ’em up and scatter the dust. Pigs, every last one of them! Wobble me down, my fine-feathered foe, you’ll never get me here. Huff and puff, I’m safe where I am.” One non sequitur after another, rushing out of him like some poison that had accumulated in his blood. He would rant and rave like this for fifteen or twenty minutes, and then, abruptly, without any warning at all, he would fall silent again, as though the storm inside him had suddenly been calmed.
    During the months I lived there, Ferdinand’s ships graduallybecame smaller and smaller. From whiskey bottles and beer bottles, he worked his way down to bottles of cough syrup and test tubes, then down to empty vials of perfume, until at last he was constructing ships of almost microscopic proportions. The labor was inconceivable to me, and yet Ferdinand never seemed to tire of it. And the smaller the ship, the more attached to it he became. Once or twice, waking up in the morning a little earlier than usual, I actually saw Ferdinand sitting by the window and holding a ship in the air, playing with it like a six-year-old, whooshing it around, steering it through an imaginary ocean, and muttering to himself in several voices, as though acting out the parts in a game he had invented. Poor, stupid Ferdinand. “The smaller the better,” he said to me one night, bragging about his accomplishments

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