In the Country of Last Things

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Authors: Paul Auster
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she went about it in the right way. She did not ask his permission for me to stay there, she simply informed him that there were three people in the household now instead of two. Since Ferdinand had relinquished all practical decisions to his wife long ago, it would have been difficult for him to assert his authority in this one area without tacitly conceding that he should assume more responsibility in others. Nor did Isabel bring the question of God into it, as she had done with me. She gave a deadpan account of the facts, telling him how I had saved her, adding the where and the when, but with no flourishes or commentary. Ferdinand listened to her in silence, pretending not to pay attention, shooting a furtive glance at me every now and then, but mostly just staring off toward the window, acting as though none of this concerned him. When Isabel had finished, he seemed to consider it for a moment, then shrugged. He looked at me directly for the first time and said, “It’s too bad you went to all that trouble. The old bone bag would be better off dead.” Then, without waiting for me to answer, he withdrew to his chair in the corner of the room and went back to work on his tiny model ship.
    Ferdinand was not as bad as I thought he would be, however, at least not in the beginning. An uncooperative presence, to be sure, but with none of the outright malice I was expecting. His fits of bad temper came in short, fractious bursts, but most of the time he said nothing, stubbornly refusing to talk to anyone, brooding in his corner like someaberrant creature of ill will. Ferdinand was an ugly man, and there was nothing about him that made you forget his ugliness—no charm, no generosity, no redeeming grace. He was bone-thin and hunched, with a large hook nose and a half-bald head. The little hair he had left was frizzy and unkempt, sticking out furiously on all sides, and his skin had a sick man’s pallor—an unearthly white, made to seem even whiter because of the black hair that grew all over him—on his arms, his legs, and chest. Perpetually unshaven, dressed in rags, and never once with a pair of shoes on his feet, he looked like someone’s cartoon version of a beachcomber. It was almost as though his obsession with ships had led him to play out the role of a man marooned on a desert island. Or else it was the opposite. Already stranded, perhaps he had begun building ships as a sign of inner distress—as a secret call for rescue. But that did not mean he thought the call would be answered. Ferdinand was never going anywhere again, and he knew it. In one of his more affable moods, he once confessed to me that he had not set foot outside the apartment in over four years. “It’s all death out there,” he said, gesturing toward the window. “There are sharks in those waters, and whales that can swallow you whole. Hug to the shore is my advice, hug to the shore and send up as many smoke signals as you can.”
    Isabel had not exaggerated Ferdinand’s talents, however. His ships were remarkable little pieces of engineering, stunningly crafted, ingeniously designed and put together, and as long as he was furnished with enough materials—scraps of wood and paper, glue, string, and an occasional bottle—he was too absorbed by his work to stir up much trouble in the house. I learned that the best way to get along with him was to pretend he wasn’t there. In the beginning, I went outof my way to prove my peaceful intentions, but Ferdinand was so embattled, so thoroughly disgusted with himself and the world, that no good came of it. Kind words meant nothing to him, and more often than not he would turn them into threats. Once, for example, I made the mistake of admiring his ships out loud and suggesting that they would fetch a lot of money if he ever chose to sell them. But Ferdinand was outraged. He jumped up from his chair and started lurching around the room, waving his penknife in my face. “Sell my fleet!” he

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