looks at me hoping Iâll be able to explain.
âI donât know. Aurora, are these your grandparents?â She tilts her head and her brow furrows, but thereâs no answer. âI think they must be her grandparents in Sweden.â
I take the picture from her. On the back, written in pencil, it tells me what I need to know.
Beckoning Aurora over, I tell the class about her grandparents. âOlaf is a journalist who writes for American newspapers mostly. Ingridâs a teacher. They live in Stockholm and have a small cottage in the country where the photo was taken last year.â
Iâve done my job. Stretched it as far as I can go without an interpreter.
When Aurora turns away, thereâs the intake of breath and the straightening of backs of the three children who are left.
I point to Don and his face becomes animated.
He jumps to his feet and fiddles about with his clothes. Lifts his tops like heâs going to undress.
There, just underneath his ribs and all the way down to the top of his hip is a bruise, the colours all damson and plum. Itâs round. I imagine itâs about the size of an adult fist.
Just as I see it, itâs gone and heâs pulling the tee-shirt down.
âI got this yesterday.â
âWow,â everyone says.
Theyâre all looking at the Arsenal FC transfer across his chest. The only thing I can think of is the bruise. Picture knuckle-marks in there, but canât be sure Iâm not just imagining.
I want to ask about it. Who put it there and when, but I have all the child-protection courses Iâve ever been on to think about at the same time.
No leading questions. No putting words into the childâs mouth. If youâre not sure, pass it on to the child-protection officer in your school.
âThatâs fantastic,â is what I say. Shit is what I think. Shit, shit, shit.
Looks like Donâs won the day in the show and tell stakes anyway. David and Charlie are both up getting a closer look.
âArsenal,â Zlatan says. âIt is my favourite team.â
âTheyâre your favourite team,â I say, remembering to re-model rather than to correct.
I look at the clock for help. It doesnât. There are still twenty minutes to go and now Iâm not sure if itâs too short or too long.
Thereâs time to get in touch with social services, but I donât have any faith in what I saw. Besides, Iâd be putting Donâs trust in me on the line at the same time. Alienating his family. Starting up the gossip.
Better just to leave it to the end of the day. Write it in the incident book and make a note to myself.
âAnybody else?â I forget to ask Don about his top, but heâll live. At least I hope he will.
Arash gets up with a car, Arabella does a dance, Zulfi stands up and sits down again.
When the bell goes it knocks me from the labyrinths of my mind. Milja has the floor.
âWhat did the flower say to the flower?â A joke to end the day on. Weâll be late for the parents, but they can wait.
âDonât you grow anymore.â
Either thereâs something there that I canât see or sheâs a comic genius. Half of the kids are on their backs. David has his legs in the air and is kicking out like heâs just been hung.
I wonder if I should explain why itâs not funny.
Instead I want to be that popular.
âWhy did the hedgehog cross the road?â
the girl with the leather bag
When the children leave, I just sit.
Without their laughter, the constant tugging at my trousers or the hearing of my name, the world seems an empty place.
Thereâs plenty to sort. Wet paintings hang from a string tied from wall to wall like brightly coloured washing. Thereâs play-dough to put away and worksheets and photographs to be stuck into folders. On my desk is the pile of letters about after-school clubs I was supposed to give the kids before they left.
I
Celine Roberts
Gavin Deas
Guy Gavriel Kay
Donna Shelton
Joan Kelly
Shelley Pearsall
Susan Fanetti
William W. Johnstone
Tim Washburn
Leah Giarratano