pickup—this one hauling a horse trailer out of which a horse’s amber tail swished the air.
They crossed rickety covered bridges spanning rocky little streams that bubbled and frothed below them, and then they were crossing the boundary to his town, St. Sophia, where a red-white-and-blue sign stated simply: ST. SOPHIA—AMERICA’S HOMETOWN.
They slowed down.
“We’re here,” he said. He took his hand off her knee and placed it on the steering wheel. Jiselle nodded and smiled over at him, but he was looking straight ahead, so she looked around.
Gingerbread Victorians lined the shady Main Street. There were brick and clapboard storefronts. The library had Greek columns. The fire station had one shining red truck parked out front and a Dalmatian lounging under an oak tree beside it.
“We moved here to have the kids,” Mark said, gesturing around him at his town. “It seemed so old-fashioned. So out of the way. Of course, it’s changed a lot since then.”
A flag flew from the yard of the school, which was a red brick two-story building with a few gothic flourishes around the doors. The post office had a cupola on the roof, a blue mailbox outside. There was a tidy park with a swing set and a merry-go-round and a wishing well. There was another flag flapping from a pole beside the courthouse.
Jiselle couldn’t imagine how St. Sophia had changed.
There was about it a sense of time having stopped at some idealized moment—the sun at the highest point in the sky, the season stalled perfectly between spring and summer, the population poised between too few and too many. The happiest hours chiming from a clock tower. The sweetest period of American history reflected in the most romantic of American architecture. Peace, following a war. The kindest politics. A time of prosperity, but not materialism. An era during which people believed in things but were not fanatical.
A little boy riding a red bicycle too large for him waved excitedly as Mark and Jiselle drove by. Jiselle waved back, and Mark saluted. “A school chum of Sam’s,” he said.
They took Main Street from one brief end of town to the other, and then kept on going, until the Victorians slipped away and the trees grew up around them. The road to Mark’s house turned to gravel, and then to dirt, and then to clay.
Jiselle had known it was in the woods, at the edge of a ravine, but she was surprised by how deep into the woods it was, how alive the woods seemed to be—fluttering with leaves, and wings, and the fragile airy progress of butterflies.
They pulled into his driveway, and there it was—a small log house, the house Mark had described to her so well that the one in her imagination matched this one perfectly: The covered wraparound porch. The brick chimney. All of it pushed up to the edge of a ravine full of pines and white birches. There were lace curtains in the windows. A chipmunk sat on the front porch, cheeks stuffed with something, munching. It looked up as they pulled in, as if it had been expecting them, and when they stepped out of the car, it didn’t run away but waited until they’d reached the mossy cobblestone walk to the front door before slipping into the rock garden.
“Here it is,” Mark said. “Your home, if you’ll have it.”
He took her by the arm and guided her through the rooms to the kitchen, where he presented her with a bouquet of tulips he said the children had picked for her themselves. They were carefully arranged on the kitchen table in a white vase—three black-cupped blooms, each one seeming to burn with a small electric light at its center.
“Here,” Mark said.
When she woke up next to him in his log house on the afternoon of her first visit, in his big four-poster bed under a Navajo blanket after making love, Jiselle slipped out of his arms to wander into the rooms of his house, and felt as if she recognized them from somewhere deep inside herself, as if the place had grown up like a
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