of her wrists. Ran for where he guessed the bathroom had to be. Towels there and some kind of tape.
And discovered himself kneeling beside her where she sat, red fingers curled in toward red palms, as if in meditation. He rolled a dark green hand towel around her left wrist and whipped the tape around it, some rubbery beige product meant to mask specific areas during the application of aerosol cosmetics. He knew that from her product-purchase data.
Were her fingers turning blue, beneath their coat of red? He looked up. Into that same recognition. One cheekbone brushed with blood.
“Don't,” he said.
“It's slowing.”
Laney wrapping her right forearm now, the tape-roll dangling from his teeth.
“I missed the artery.”
“Don't move,” Laney said, and sprang up, tripping over his own feet, crashing face-first into what he recognized, just before it broke his nose, as the work of the editor of lamps. The carpet seemed to whip up and smack him playfully in the face.
“Alison—”
Her ankle stepping past him, kitchenward.
“Alison, sit down! ”
“Sorry,” he thought he heard her say, and then the shot.
Blackwell's shoulders heaved as he sighed, making a sound that Laney heard above the traffic. Yamazaki's glasses were filled with jittering pastels, the walls here all neon, a glare to shame Vegas, every surface lit and jumping.
Blackwell was staring at Laney. “This way,” he said, finally, and rounded a corner, into relative darkness and an edge of urine. Laney followed, Yamazaki behind him. At the far end of the narrow passage, they emerged into fairyland.
No neon here at all. Ambient glow from the towers overhead. Austere rectangles of white frosted glass, the size of large greeting cards, were daubed with black ideograms, each sign marking a tiny structure like some antique bathing cabin on a forgotten beach. Crowded shoulder to shoulder down one side of the cobbled lane, their miniature facades suggested a shuttered sideshow in some secret urban carnival. Age-silvered cedar, oiled paper, matting; nothing to pin the place in time but the fact that the signs were electric.
Laney stared. A street built by leprechauns.
“Golden Street,” said Keith Alan Blackwell.
8. Narita
Chia deplaned behind Maryalice, who'd had a couple of those vitamin drinks and then tied up one of the toilets for twenty minutes while she teased her extensions and put on lipstick and mascara. Chia couldn't say much for the result, which looked less like Ashleigh Modine Carter than something Ashleigh Modine Carter had slept on.
When Chia stood up, she felt like she had to tell her body to do every single thing she needed it to. Legs: move.
She'd gotten a few more hours sleep, somewhere back there. She'd packed her Sandbenders back in her bag, and now she was putting one foot in front of the other, as Maryalice, in front of her, shuffle-swayed along the narrow aisle in her white cowboy boots.
It seemed to take forever to get out of the plane, but then they were breathing airport air in a corridor, under big logos that Chia had known all her life, all those Japanese companies, and everything crowded and moving in one direction. “You check anything?” Maryalice asked, beside her.
“No,” Chia said.
Maryalice let Chia go ahead of her through Passport Control, where Chia gave the Japanese policeman her passport and the Cash-flow smartcard Zona Rosa had forced Kelsey to come up with because this was all Kelsey's idea anyway. In theory, the amount in the card represented the bulk of the Seattle chapter's treasury, but Chia suspected Kelsey would wind up footing the bill for the whole thing, and probably wouldn't even care.
The policeman pulled her passport out of the counter-slot and handed it back to her. He hadn't bothered to check the smartcard. “Two week maximum stay,” he said, and nodded her on.
Frosted glass slid open for her. It was crowded here, way more than SeaTac. So many planes must've come in at once, to
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