of my work – for him to offer me a job. Well from that moment onwards, our professional relationship went from strength to strength to strength to strength to strength.
On a personal level things were slightly different. He and I were just chalk and Cheddar. At the height of the show’s popularity I was receiving five, sometimes six, pieces of fan mail a quarter. It was pretty relentless and if I’m honest, I think it stuck in Eastwood’s craw. Sure, I tried to build bridges from time to time. I’d take him to the BBC bar and order us each a pint of bitter and a meat-based sandwich. But he’d take a few sips (of his drink) before claiming he was ‘dead drunk’ and needed to go home.
Maybe it was possible to get drunk that quickly. I’ve certainly heard it said that Chinamen can’t hold their booze. But all these years later, when I think back to those aborted evenings out, there’s one tiny detail that just doesn’t add up: Eastwood wasn’t Chinese.
Okay, he had a soft spot for a portion of Chicken Chow Mein on a Friday night. But, be honest, who doesn’t? And besides, even the most berserk Sinophile would struggle to argue that ingesting industrial amounts of egg noodles actually makes you Chinese. No, Eastwood was from Hertfordshire, and there was nothing anybody could do about it.
But as I made my way to that first editorial meeting, I knew I still had my fellow reporters to wow. Questions tumbled around my head like trainers in the washing machine I have mentioned on two previous occasions. Would I pass muster? Would I cut the mustard? Would I pass the mustard?
I was panicking. There was no point spending my time conflating two well-known phrases or sayings into a third that, while making grammatical sense, had no value as a metaphor. Or was there? I thought for a moment. No, there definitely wasn’t.
Somehow I needed to chill the eff out. If I was a drug-doer I would probably have spliffed myself into the middle of next week. But I wasn’t (although – full disclosure – I had taken two paracetemols from my first aid kit and administered a splodge of Savlon to an ankle graze sustained at London’s [CHECK NAME OF STATION].)
In the end I sorted myself out by using a simple but effective visualisation technique taught to me by either Paul McKenna or Russ Abbott, I forget which. Hang on, no, it was Ali Bongo. Taken from the teachings of Buddha (I’m guessing here), the idea is to imagine yourself as someone with the characteristic you desire. In the case of Bongo, he would think of a cuddly old cat lying in the sunshine. Before a big show he would spend 15 minutes purring, licking his imaginary paws and hanging his head over a bin trying to bring up fur balls. And by the end of it? He was as cool as beans.
For me, though, cats weren’t the answer. No, the answer was Roger Moore. I locked myself in a toilet cubicle and spent the best part of a quarter of an hour visualising myself in A View to a Kill , taking on the evil Max Zorin, sailing under the ocean in a submarine disguised as an iceberg and having it off with Grace Jones, the first black woman I have ever slept with.
And by the time someone started banging on the door wondering what all the noise was about, I had reached a zen-like state of calm. As it turns out, though, I was right to be anxious about the editorial meeting. There were some seriously large-brained people in that room. Those in attendance included Christopher Morris (anchor), Rosie May (environment), Kevin Smear (roving reporter), Peter O’Hanraha-hanrahan (economics editor) and yours truly (sport, plus the Paralympics).
I picked a chair and sat down quietly and effectively. It was a good start but I needed to do more. I took a deep breath and prepared to introduce myself. But as soon as I heard the level of their chit-chat, I froze. They were using words, ideas and concepts that you simply never heard in Norfolk. Not even in Norwich.
I resolved to keep my mouth shut
Grace Callaway
Victoria Knight
Debra Clopton
A.M. Griffin
Simon Kernick
J.L. Weil
Douglas Howell
James Rollins
Jo Beverley
Jayne Ann Krentz