in October, and went straight from the Charles de Gaulle Airport to Anneâs parentsâ place in Le Vésinet, thirty minutes outside of Paris. After a series of awkward cheek kisses and ânice to finally meet-youâs, we proceeded outside to the patio, where Madame had set up the aperitifs, skirting around the elephant in the garden by agreeing that it was, indeed, quite warm for October.
It quickly became clear to me that the Bourigeauds had spent the month before our arrival setting up a pros and cons list that must have looked a bit like this:
PROS (regarding Richard)
â speaks fluent French (without too much of an accent, according to Anne)
â has an appreciation for culture and the arts
â is European
â is loved deeply by Anne
â appears to love Anne back
â well-enough traveled
CONS (regarding Richard)
â will probably make no money in his chosen line of work
â comes from a modest family (probably with bad teeth)
â is a stranger (probably with bad teeth)
â is not French
â is not Catholic
â is not rich
I passed with flying colors through the first round of questions: the fact that my parents were on their fortieth year of marriage seemed to help my case a great deal, as did the fact that I spoke a rudimentary amount of Spanish, bringing my âspoken languagesâ tally up to three. But things got dicey when Alain de Bourigeaud inquired just what kind of artist I was.
âHeâs a pop culturist , Dad,â Anne said, pushing her hair behind her ear. âLike Houellebecq, but for visual art.â
I almost spit up my white Burgundy at the words pop culturist .
âPop politics ,â I ventured. âItâs . . . I try to provoke thought.â
Both Alain and his wife, Inès, stared at me blankly, clearly expecting some kind of follow-up. But I couldnât think of a single work of mine that didnât make me sound spastic.
âHeâs putting together his thesis show now, actually,â went Anne. âAbout the rise and fall of popular figures? How one movement can lead to another movement, influence trends. Like, for exampleââAnne put her hand on top of mineââhe has this series of Russian dolls that tracks the commoditization of the food industry all the way up to the cult of Martha Stewart?â
Her mother cocked her head. âHow interesting. Whoâs that?â
Lunch passed without further incident, or rather, without any incidents at all, the mark of a successful luncheon in the Bourigeaud maison . When the final forkful of redfish was laid to rest on top of patterned china, Anneâs mother suggested that Anne and she do the dishes before dessert. Weâd had soup before the entrée, and a cheese and salad course after thatâthere were a lot of dishes to be done. I suspected that the time had come for me and Mr. B to have a little chat.
Sure enough, as the women began to clear the table, Monsieur asked if I wouldnât like to see their garden in more detail. (âInès is simply a wizard with outdoor plants!â) I accepted, catching Anneâs eye as I walked toward the door. She gave me a thumbs-up, an out-of-character gesture that reminded me of my RISD roommate, Toby, who used to flip me the same hand signal after his morning visits to the loo.
Once outside, I realized Iâd best not beat around the bush. In fact, I wouldnât even circle it. Just jump right in there, Richard. Thereâs a good dog.
âMonsieur Bourigeaud,â I began, in the rather dressed-up French I reserve for the old guard, âIâm sorry things turned out like this. I donât have as close a relationship with my family asAnne does, so I wasnât thinking, really, of other people. I know we acted hastily. Itâs justâthey donât like to fly?â
Mr. B threw a weed over the hedge into the neighborâs yard. âIf Anne
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