close to her. Tomo loves her and cares for her, that’s all right, but let her keep her distance. Hideko got into the other taxi, the one Tomo was taking. Just before, she’d tried in vain to change places with Fumi, to be closer to Midori. What tipped Takashi off was that she’d been downstairs long before Fumi; she could easily have had the seat next to Midori. Takashi understood that Hideko was playing a game. She had orchestrated the scene so carefully that she must have had a goal: to be next to Tomo. Takashi smiled. Two days later, he confronted Hideko in her room, and she burst into tears and told him everything. Her mother. The Golden Pavilion. Her disgust and attraction for Tomo. She had been fighting all her life, unable to locate the enemy who lurked behind a mask. Her sexual attraction for ugliness. Unformed beings, the rejected, the excluded. They excite her. Takashi took her in his arms and comforted her. That night, he opened up a new universe for her. She was not alone. Millions of people were like that. The fact of being ugly or beautiful has nothing to do with our desires. They are two parallel universes. We see ourselves only in other people’s eyes, despite our best efforts. Takashi explained to her that we risk rejection at the hands of those who are disgusting and ugly, the monsters, as much as with any other group. All the other person has to do is feel our interest—and he can’t not feel it— and he becomes inaccessible. Desire is the distance you must cover between your thirst and the fountain that retreats the more you travel towards it. The night grew cool. Hideko’s body seemed to soften. Her eyes closed. A smile bloomed on her lips. Takashi closed the door softly and returned to his room.
THE PARK
I TRY TO avoid the part of the park where the guys who’ve just come back from cherry picking in B.C. hang out. They all wear the same red, scraggly beard, and stare out from the same pale, irresponsible eyes, and contemplate the same dirty fingernails with a mixture of surprise and pride. Most of them are kids from cushy Montreal suburbs (Saint-Lambert, Repentigny, Beloeil or Brossard) who want to play at migrant worker, a dog-eared copy of a fat Steinbeck novel in their back pockets. Last year they were still reading Salinger’s Catcher in the Rye, dreaming of a three-day blow downtown, once they’d assured their mothers they’d be staying with a cousin. Later they’d move on to Kerouac, carry him out to Vancouver in a night train on the Canadian Pacific Line, before launching into Bukowski and pitchers of draft beer. The beginning of a long fall. Theirs isn’t the first generation of misguided kids to hang out in the park—the previous ones shot up on Burroughs and heroin. I even witnessed the days when the boys read Steppenwolf and the girls always had a copy of Gibran’s The Prophet in their bags. This is a literary park, where young people learn how to live through books. I sit down on a bench near the little kiosk that sells flowers and watch the girls in their spring dresses risking their lives to cross the street on the red light—they have every privilege. Which causes a small acceleration in the blood of the male drivers, who are already in heat. This city’s slow striptease begins in April—this isn’t the first cluster of bare-legged girls they’ve seen. The girls kick off their shoes at the first touch of grass, they race with the local dogs, then they end up with those guys who, in monotonous voices, tell endless travel stories that end up giving everyone a headache. With the money they’ve made doing odd jobs out west, they buy dogs to help keep them warm during the winter. A young man is sleeping in a quiet part of the park with a half-dozen pure-bred dogs around him. The problem, apparently, is how to feed them. Those dogs can eat a horse every day. Another guy is leaning against a tree like a pensive warrior. They are like an army camped down for the night. The
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