I Am a Cat

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Authors: Natsume Sōseki
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un-catlike. But not caring whether I am a cat or not, I scratch away like mad at my whole face in frenzied determination to keep on scratching until the fiend in the rice-cake has been driven out. Since the movements of my front paws are so vigorous I am in danger of losing my balance and falling down. To keep my equilibrium I find myself marking time with my hind legs. I begin to tittup from one spot to another, and I finish up prancing madly all over the kitchen. It gives me great pride to realize that I can so dextrously maintain an upright position, and the revelation of a third great truth is thus vouchsafed me: that in conditions of exceptional danger one can surpass one’s normal level of achievement. This is the real meaning of Special Providence.
    Sustained by Special Providence, I am fighting for dear life against that demonic rice-cake when I hear footsteps. Someone seems to be approaching. Thinking it would be fatal to be caught in this predicament, I redouble my efforts and am positively running around the kitchen. The footsteps come closer and closer. Alas, that Special Providence seems not to last forever. In the end I am discovered by the children who loudly shout, “Why look! The cat’s been eating rice-cakes and is dancing.” The first to hear their announcement was that O-san person. Abandoning her shuttlecock and battledore, she flew in through the kitchen door crying, “Gracious me!” Then the mistress, sedate in her formal silk kimono, deigns to remark, “What a naughty cat.” And my master, drawn from his study by the general hubbub, shouts, “You fool!” The children find me funniest, but by general agreement the whole household is having a good old laugh. It is annoying, it is painful, it is impossible to stop dancing. Hell and damnation! When at long last the laughter began to die down, the dear, little five-year-old piped up with an, “Oh what a comical cat,” which had the effect of renewing the tide of their ebbing laughter. They fairly split their sides. I have already heard and seen quite a lot of heartless human behavior, but never before have I felt so bitterly critical of their conduct. Special Providence having vanished into thin air, I was back in my customary position on all fours, finally at my wit’s end, and, by reason of giddiness, cutting a quite ridiculous figure. My master seems to have felt it would be perhaps a pity to let me die before his very eyes, for he said to O-san, “Help him get rid of that rice-cake.” O-san looks at the mistress as if to say, “Why not make him go on dancing?” The mistress would gladly see my minuet continued, but, since she would not go so far as wanting me to dance myself to death, says nothing. My master turned somewhat sharply to the servant and ordered, “Hurry it up, if you don’t help quickly the cat will be dead.” O-san, with a vacant look on her face, as though she had been roughly wakened from some peculiarly delicious dream, took a firm grip on the rice-cake and yanked it out of my mouth. I am not quite as feeble-fanged as Coldmoon, but I really did think my entire front toothwork was about to break off. The pain was indescribable. The teeth embedded in the rice-cake are being pitilessly wrenched. You can’t imagine what it was like. It was then that the fourth enlightenment burst upon me: that all comfort is achieved through hardship. When at last I came to myself and looked around at a world restored to normality, all the members of the household had disappeared into the inner room.
    Having made such a fool of myself, I feel quite unable to face such hostile critics as O-san. It would, I think, unhinge my mind. To restore my mental tranquillity, I decided to visit Tortoiseshell, so I left the kitchen and set off through the backyard to the house of the two-stringed harp. Tortoiseshell is a celebrated beauty in our district. Though I am undoubtedly a cat, I possess a wide general knowledge of the nature of compassion

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