Hydroplane: Fictions

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Authors: Susan Steinberg
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tasted of cigarettes his spit how else could it havetasted and his hands were pressing and every part pressed up and hard and later his jacket spread under my legs and ass and our heads slipped to the floor of the car. And you circled the chair until he came back with his jacket, he grabbed your arm and spun you out. Are you mad at me , to nothing but the car door slamming you in, the song going on and on, the wind messing your hair, thoughts of, there's a boy I fell for, and it could be love, the one true love, weak-kneed like the pal and bride, and he said, just like your mother, what , just like your mother, through clenched teeth, just like her, admit it, what of it , your mother. But she's clean. You're clean. Last time this boy you fell for said, look at me, you said no, knew a look was trouble, and you kept your eyes closed tight even with fingers up inside and the tongues pushing and every part pressing up and up. He said, what do you want, but rule two was don't answer, rule two was keep quiet even though it felt good, even though it felt crazy and could have been love. He said, tell me, no , before he started, tell me, no , and he was laughing, hands all over, pawing, saying, what do you want, saying, baby, you were crying, baby, and, look at these little things anyway, these little tits, and, I don't need these little tits, and you ran off, half-dressed, homeward to your father's house to cry in his backyard until morning. And he must have heard from the house, your father, your crying. And he did say the next day, how are you doing, or, are you well. But rule two was keep your words to yourself, even as he tried to make you talk, even as these boys try to make you talk, try to make you look with their words, their, I'm not no, you're not no what. But don't fall for it. It would be smarter not to. And the smartest thing would be to drive. It would be good and smart to drive from these boys, to spin the wheels out and up the street and wait. So what he'd walk out the tavern and he'd look all over, and so what you'd be at the end of the street, big deal. You'd never leave him. He knows this. It's something with blood. You'd be right there at the end of the street waiting, he knows. You'd push anarm through an open window, over here dad!, hurry dad! It would be good and smart to drive. But this is just hunger. And you're really fine now. You're better now. You're in your own safe place in the city, doors locked, windows up, and there's really no need to drive. The boys walk in a very wide circle. They walk past the market, the church, the tavern, the car. Besides, they look dumb as the boy you fell for. Besides, soon, he said or some such. Besides, who wants to drive. Besides, he'd walk out, he'd panic, he'd think, shit, the car, then, where'd she take it damn it, and besides, you haven't looked deep at these boys. You haven't invited a thing. You're safe. And besides, he'd walk out, he'd look all over saying, shit, the car, panicking. And they're not looking in yet. But they could look in. But they're not. But they could. They could hear the radio if you turned on the radio. But it's off. If you opened the window just a slit for air. It's rolled up tight. If you turned up the radio with the window a slit, they could hear, big deal , and they could get you, and then what , trouble. So drive up the street. You'd never leave him. You'd never think it, some such about blood. Just the boys could get rough. They could push a fist through the window or the poles or some such. They could try to paw you, to backhand you. But you could drive up the street. You'd yell, up here dad! , and he'd see the car. He'd think, what are you thinking, and you'd yell, up here dad! , and he'd see the boys, and he'd try and save you, he'd run to the car, and the boys' heads would jerk up, and they'd run to the car clanging their poles to the ground and again and again, run faster dad , you can see them running, run faster dad , and he says,

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