were as talented as anyone in the industry ⦠Russell on the banjo and Dave on mean fiddle....â
There. There is where it canât go. As I said, I can listen to a lot of uncomfortably wonderful things being said about my father, can even listen to a superhuman barrage of them to make a guyâs knees go weak like today. But the ruleâs the ruleâitâs got to be true.
I turn right around to catch Jim Clerkâs eye. He looks down at me.
âWhat?â he asks, bagged.
âCome on,â I say.
Heâs stifling a laugh now. âHe was a great fiddler.â
There are a fair few murmurs, in the band and out beyond, but nobodyâs going to step into this one but me.
âHe was awful,â I say.
My mother gives me a playful shake of the shoulders, and parts of the crowd boo me in defense of my old man. And I get a shiver like I havenât had since. Since, the night I shivered myself to sleep.
It is the best Dad moment I have had, since I havenât had the dad.
Itâs got it all. Itâs real, and itâs fun. Itâs got loyal and itâs got great and itâs got true.
Just like the man.
This is so hard. Beautiful, but so mind-splitting hard.
âHe was not awful,â Jim plays along.
I nod defiantly, because words arenât coming now. He had only played the thing for a year and a half; he was self-taught. He had no musical anything in him but he learned just so he could be in this band right here, because he wanted to belong to everything, anything that was happening here, with these guys.
But really, when he practiced, cats came to the house in gangs to free their tortured comrade.
âHe did not stink,â Jim finally says. âDave was ⦠earnest, on the fiddle.â
The crowd roars approval, and finally, DJ jumps in. âBut my dad was a great banjo player !â And this statement seems to please him more than anything else so far.
He was great, too. Russell was great at whatever he did. Russell was a star.
The band starts a slow, gentle plucked rhythm, swampy, pale-blue bluegrass and Jim shouts out, âFriends, the Hothouse Heroes!â and backs away, pulling back a curtain at the rear of the stage.
Sitting together on adjacent chairs, necks crossed like old friends, my dadâs fiddle and Russâs banjo.
Hanging up on the wall behind them, is the memorial.
It is big, five feet by five feet, mixed-media. There are two oversized brass replicas of the city FD badges, but with the names Russ and Dave engraved. The badges lean on each other at an angle, like the comedy/drama faces at a playhouse. An eagle spreads its wings behind the badges, and in front of him a ribbonlike banner flutters above and below carrying the words OUTRAGEOUS and COURAGEOUS .
Hundreds of people gasp at once, but they all sound like my mother to me. I turn back and look at her. She has her hand covering her mouth, and her eyes are blinking three times the speed of the three-beat pattern as the band plays âWaltzing Matildaâ right at us.
âYou all right?â I ask her as she squeezes my shoulder hard enough to get juice out of it.
âItâs all right to cry,â is what she says.
âGo ahead,â I say, being, you know, the man round here now.
âI meant you,â she says.
âMe? Iâm not crying.â
âIf you say so,â she says with a smile and another mighty squeeze. Thereâs the juice again. âIf youâre not, youâre the only one.â
I turn back to the stage and watch the goings-on from head-bow angle now. See, donât be seen.
Beside me, DJâs got the same idea, different approach. He has plunked right down to the ground, sitting cross-legged, staring up, and out, at nothing in particular. He is moving just slightly with the music, though, so something okay is going on, too. I give him a little wave, like we are in sight but far apart. He gives me a small
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