didnât get up to answer it. The second time was at one-fifteen, and Claudia still wasnât home.
5
âK IERNAN OâC ONNOR ?â
The woman on Claudiaâs stoop couldnât have been more than twenty-three, with mink-black hair and expensive department store makeup all over her pretty face.
âAre you Kiernan?â
âKieran,â I corrected her reflexively, leaning against the door frame. It wasnât even eight oâclock, and Iâd been awake all of forty-five seconds.
âKieran. Iâm sorry. Iâm Shelly Nguyen.â She slipped me a business card that read SHELLY NGUYEN ⢠SEGMENT PRODUCER ⢠HEADLINE JOURNAL . Under it was a mini-directory of contact information: office, home, mobile, fax, E-mail. This was a woman who couldnât afford to be out of touch for a single minute. âI hope I didnât wake you up.â
ââS okay. I was just sleeping.â
âRight. Hey, youâre funny. I was just working on a story? About the Felina Lopez case? And Iâd love to interview you.â
âWhen?â I was still dopey.
âNow.â She pointed down at the curb, where a black stretch limousine was waiting.
Suddenly it all made sense. This was a standard maneuver that the tabloid-TV shows used when they were trying to get an interview out of a noncelebrity: show up at the house with a shiny black limo and treat âem like a star.
âYou could have skipped the car,â I said. âIâm not a dismissed juror. Or the sole survivor of an air disaster.â
âI know,â said Shelly Nguyen. âYouâre a writer, and a good one. Of course, weâd want to pay you for your time and insights.â She handed me an envelope. I opened it.
Inside was a bank draft made payable to Kiernan OâConnor.
âOkay,â I said after a brief pause. âIâll do it. On the condition that you answer me one thing.â
âWhat?â
âHow did you find me?â
Shelly Nguyen smiled. âWe have our ways.â
âI know. Iâm a reporter, too. But howâd you get the address where I was staying?â
Her smile flickered. âI donât know. I didnât get it myself. My assistant did.â
âTell me. I donât care. Iâm just curious.â
âIt could have been the phone book, or voter registration rolls.â
âNope. My place was destroyed during the earthquake. And this isnât my permanent residence.â
âMaybe the DMV.â
âNo,â I said. âThe Rebecca Schaeffer law.â
âHmm?â Her head looked up from her clipboard.
âNot the DMV. You might be too young to remember, but a few years ago there was a young actress who got murdered. The guy got her address from the DMV. They passed a law in the California legislature, and now you canât get home addresses from the DMV. Legally, at least.â
Something in the air between us shifted. Shelly Nguyen had the business suit and the cashierâs check, but it was me, in my T-shirt and Halloween boxers, who had control of the situation.
âSo come on, Shelly,â I said. âJust tell me and Iâll get dressed and go with you.â
Shelly rolled her eyes. She took a piece of paper from her clipboard and handed it to me.
It was a Xerox of my last pay stub from the newspaper, which had Claudiaâs address printed right under the pay-to line.
Someone at my own paper had ratted me out. For their own Headline Journal bank draft, no doubt.
âWell, Shelly, I guess that makes us both liars.â
âHuh?â She was still smiling.
I smiled back and handed her the bank draft. âYou and Headline Journal can go fuck yourselves.â
And then I slammed the door in Shelly Nguyenâs face.
*Â Â Â *Â Â Â *
âThey think I know something!â I was crouched on the living room floor, my back to the wall.
âGet out
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