times you picked your nose.â
Jordan stood up, intending to leave, but Roee was right there to put a particularly strong pinch onto his right trapezius muscle, which has a tendency to make one want to sit again.
âIâll do that to your testicles next time you stand up without permission,â Roee said quietly to Jordan. He wasnât fooling. Something JordanâI could tell from the open mouth stare he gave Roee as Roee walked offâdid not doubt.
The tape ended just as Lapham came over. He sat and joined me in looking to Jordan for an explanation. Jordan wiped the flop sweat off his brow. Then took a deep breath and tried to remember, Iâm sure, just who the hell he was.
Jordan gave a little laugh, âAs good a time as any to go to a commercial?â
âDonât need to,â I said, âthis portion of our program is being brought to you as a public service by Mr. Larry Lapham, director of War of the Wimps , coming soon to a theater near you.â
âWell, what can I say?â Jordan was trying his best not to look cornered. âExcept this is the most outrageous behavior I have ever seen in fifteen years of broadcasting, and you will be hearing from my lawyer.â He was starting to give in to his anger. âThat tapeâthat tape could well have been made when I was reviewing, uh, uh, I donât know, uh, Mel Brooksâ last film.â
âWell, thatâs hardly likely,â I had Charlie Wise say with an uncommon bit of sarcasm. âBefore we march off to court, why donât we hear what the dean of broadcast journalism has to say, shall we?â
The monitors came alive with the avuncular face of his gray eminence. âThis is Walter Cronkite.â
Everything opened wide on Robert Jordan: eyes; mouth; bowels, most likely.
âUnbeknown to Robert Jordan, I was in attendance and observed the screening that you have just seen a video record of, and I can attest to, indeed could swear to in a court of law, that that video is a true and accurate record of Robert Jordanâs reaction to the film, War of the Wimps . Robert, no one has been more dismayed over the recent diminishing of standards in broadcast journalism as I have, but, my god man, when that lack of standards filters down to film criticism, you can only ask one question, Where goeth the world? And thatâs the way it is.â
âThank you Walter,â I said as the monitors went blank. âItâs always good to hear from the most trusted man in America.â I turned to Jordan. âRobert?â Jordan was in a state of shock. He seemed unable to talk. Lapham happily filled the vacuum.
âHow many of my other films that you gave rotten reviews to did you really like, Bobby?â
Jordan came back to us, realization having slapped him in the face.
âYes,â Lapham said. âCollege. Same dorm. You wanted to be my best friend, and because I didnât let you, youâve been carrying this grudge ever since.â
Live television pressed on Jordan from all sides, sapping one kind of strength; giving him another. â Litigators .â Jordan finally said.
âWhat?â
âYour film, Litigators , I really didnât like that one.â
âYes, well, I didnât like it much either, to be honest with you,â Lapham admitted.
âBut all the othersâall the others I have adored. Each one fulfilled the promise I knew you had back then in college. Me. Not any of those others, whose friendship you desired so passionately.â
âWell, then, for Christâs sakeâ!â There was a little emotional stumble here by Lapham. You could see it in his eyes, in the false start of angry words, and the successful quiet stating of a pleading one, âWhy?â
âItâs my right as a human being to hate. Itâs my right to be petty. Sometimes itâs the only way to feel that we have control over some little
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