didn’t. He stepped up to the door again and traced its shape with his hands. The panel below the glass would be the weak spot. Plywood, probably, maybe three-eighths thick, painted, retained in the frame by quarter-round moldings. Reacher was wearing shoes he had bought in the London airport two deployments ago, stout British things with welts and toecaps as hard as steel. They had busted heads and kneecaps already that night. Plywood wasn’t going to be a major problem.
He stepped back and poked forward with his toe to fix his target in his mind. Then he kicked out,
bang, bang
, concentrating on the corners of the panel, viciously and noisily, until the wood splintered and the moldings came loose.
Then he stopped and listened.
No sound from inside the building.
Which was a bitch. Reacher would have preferred to meet Croselli face to face on the ground floor. He didn’t relish heading up a flight of stairs toward an alert opponent atthe top.
He waited some more.
No sound.
He squatted down with his back against the doorframe and punched out the panel with his elbow, until it folded inward, like a miniature door itself, hinged on a few surviving nails. Then he twisted around and put his arm and his shoulder through the hole and reached up and scrabbled for the knob. Which he found easily enough. He had arms like a gorilla. Every childhood photograph of him featured six inches of bare wrist, at the end of every sleeve.
The door opened and he struggled upright and backed off a yard, just in case. But there was no sound inside. Croselli didn’t come out. There was nothing to see. Just darkness. The inside air smelled hot and stale.
Reacher stepped in, to what felt like a narrow lobby with a tiled floor. He slid his feet ahead, one after the other, and he felt a bottom stair. There was a handrail on the left. The opposite wall was less than three feet away. It was painted, and it was damp with condensation.
Reacher went up the stairs, his right hand out in front of him, his left holding the handrail. There was a yard-wide half landing, and then the stairs doglegged and continued upward. At the top was dusty superheated air and a six-by-three upstairs lobby with a sticky carpet and a door at each end. A front room, and a back room.
Under the back room door was a bar of faint warm light.
Reacher stared at it, like a thirsty man in the desert might stare at a cold drink. It was a candle, probably. It was the first manmade light he had seen in more than three hours.
He put his hand under his shirt at the back and pushed the button Hemingway had showed him.
It’s red
, she had said, which hadn’t helped, because he didn’t have eyes in the back of his head, and it was pitch dark anyway. So he had learned it by feel. He tapped his chest, so that a thump could mark the start of the recording. Then he put his hand on the doorknob.
* * *
Reacher twisted the knob and pushed the door, one, two, fast and hard, and he stepped into a room lit by a guttering candle. The flame danced in the rush of air. The room was a twenty-by-twenty space with a dark window in the back wall, and a row of old-fashioned safes on the left, like something out of a black-and-white Western movie about bank robbers, and on the right there was a row of file cabinets and a desk, and sitting at the desk in a leather reclining chair was Croselli. The chair was pushed out and turned sideways, so that he was sitting face-on to the door.
He had a gun in his hand.
It was a Colt M1911, a .45 automatic, standard military issue for sixty-six years, hence the model number. It looked a little scratched and battered. It was all lit up by the candle, which was on the desk, welded to a china plate by a pool of its own wax. A standard household item, a few cents at the hardware store, but it felt as bright as the sun.
Croselli said, “You.”
Reacher said nothing.
Croselli had shed his jacket and pulled down his tie, but his shirt was still
He stepped back and poked forward with his toe to fix his target in his mind. Then he kicked out,
bang, bang
, concentrating on the corners of the panel, viciously and noisily, until the wood splintered and the moldings came loose.
Then he stopped and listened.
No sound from inside the building.
Which was a bitch. Reacher would have preferred to meet Croselli face to face on the ground floor. He didn’t relish heading up a flight of stairs toward an alert opponent atthe top.
He waited some more.
No sound.
He squatted down with his back against the doorframe and punched out the panel with his elbow, until it folded inward, like a miniature door itself, hinged on a few surviving nails. Then he twisted around and put his arm and his shoulder through the hole and reached up and scrabbled for the knob. Which he found easily enough. He had arms like a gorilla. Every childhood photograph of him featured six inches of bare wrist, at the end of every sleeve.
The door opened and he struggled upright and backed off a yard, just in case. But there was no sound inside. Croselli didn’t come out. There was nothing to see. Just darkness. The inside air smelled hot and stale.
Reacher stepped in, to what felt like a narrow lobby with a tiled floor. He slid his feet ahead, one after the other, and he felt a bottom stair. There was a handrail on the left. The opposite wall was less than three feet away. It was painted, and it was damp with condensation.
Reacher went up the stairs, his right hand out in front of him, his left holding the handrail. There was a yard-wide half landing, and then the stairs doglegged and continued upward. At the top was dusty superheated air and a six-by-three upstairs lobby with a sticky carpet and a door at each end. A front room, and a back room.
Under the back room door was a bar of faint warm light.
Reacher stared at it, like a thirsty man in the desert might stare at a cold drink. It was a candle, probably. It was the first manmade light he had seen in more than three hours.
He put his hand under his shirt at the back and pushed the button Hemingway had showed him.
It’s red
, she had said, which hadn’t helped, because he didn’t have eyes in the back of his head, and it was pitch dark anyway. So he had learned it by feel. He tapped his chest, so that a thump could mark the start of the recording. Then he put his hand on the doorknob.
* * *
Reacher twisted the knob and pushed the door, one, two, fast and hard, and he stepped into a room lit by a guttering candle. The flame danced in the rush of air. The room was a twenty-by-twenty space with a dark window in the back wall, and a row of old-fashioned safes on the left, like something out of a black-and-white Western movie about bank robbers, and on the right there was a row of file cabinets and a desk, and sitting at the desk in a leather reclining chair was Croselli. The chair was pushed out and turned sideways, so that he was sitting face-on to the door.
He had a gun in his hand.
It was a Colt M1911, a .45 automatic, standard military issue for sixty-six years, hence the model number. It looked a little scratched and battered. It was all lit up by the candle, which was on the desk, welded to a china plate by a pool of its own wax. A standard household item, a few cents at the hardware store, but it felt as bright as the sun.
Croselli said, “You.”
Reacher said nothing.
Croselli had shed his jacket and pulled down his tie, but his shirt was still
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