vein.
With the process begun, more urgent work awaited than time to do it. Harrison’s vital signs, currently nonexistent, had to be monitored for the first indications of response to therapy. The treatment already provided by the paramedics needed to be reviewed to determine if a previously administered dose of epinephrine—a heart-stimulating hormone—was so large as to rule out giving more of it to Harrison at this time. Meanwhile Jonas pulled up a wheeled cart of medications, prepared by Helga before the body had arrived, and began to calculate the variety and quantity of ingredients for a chemical cocktail of free-radical scavengers designed to retard tissue damage.
“Sixty-one minutes,” Gina said, updating them on the estimated length of time that the patient had been dead. “Wow! That’s a long time talking to the angels. Getting this one back isn’t going to be a weenie roast, boys and girls.”
“Forty-eight degrees,” Helga reported solemnly, noting the cadaver’s body temperature as it slowly rose toward the temperature of the room around it.
Death is just an ordinary pathological state, Jonas reminded himself. Pathological states can usually be reversed.
With her incongruously slender, long-fingered hands, Helga folded a cotton surgical towel over the patient’s genitals, and Jonas recognized that she was not merely making a concession to modesty but was performing an act of kindness that expressed an important new attitude toward Harrison. A dead man had no interest in modesty. A dead man did not require kindness. Helga’s consideration was a way of saying that she believed this man would once more be one of the living, welcomed back to the brotherhood and sisterhood of humanity, and that he should be treated henceforth with tenderness and compassion and not just as an interesting and challenging prospect for reanimation.
2
The weeds and grass were as high as his knees, lush from an unusually rainy winter. A cool breeze whispered through the meadow. Occasionally bats and night birds passed overhead or swooped low off to one side, briefly drawn to him as if they recognized a fellow predator but immediately repelled when they sensed the terrible dif ference between him and them.
He stood defiantly, gazing up at the stars shining between the steadily thickening clouds that moved eastward across the late-winter sky. He believed that the universe was a kingdom of death, where life was so rare as to be freakish, a place filled with countless barren planets, a testament not to the creative powers of God but to the sterility of His imagination and the triumph of the forces of darkness aligned against Him. Of the two realities that coexisted in this universe—life and death—life was the smaller and less consequential. As a citizen in the land of the living, your existence was limited to years, months, weeks, days, hours. But as a citizen in the kingdom of the dead, you were immortal.
He lived in the borderland.
He hated the world of the living, into which he had been born. He loathed the pretense to meaning and manners and morals and virtue that the living embraced. The hypocrisy of human interaction, wherein selflessness was publicly championed and selfishness privately pursued, both amused and disgusted him. Every act of kindness seemed, to him, to be performed only with an eye to the payback that might one day be extracted from the recipient.
His greatest scorn—and sometimes fury—was reserved for those who spoke of love and made claims to feeling such a thing. Love, he knew, was like all the other high-minded virtues that family, teachers, and priests blathered about. It didn’t exist. It was a sham, a way to control others, a con.
He cherished, instead, the darkness and strange anti-life of the world of the dead in which he belonged but to which he could not yet return. His rightful place was with the damned. He felt at home among those who despised love, who knew that the pursuit of
D Jordan Redhawk
Bob Woodward, Scott Armstrong
Lynn Red
Shirl Henke
Joseph Wheelan
Dorothy Salisbury Davis
Robert Stimson
Viola Grace
William Shakespeare
Kylie Scott