Heartsong

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Authors: James Welch
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turned onto another boulevard that he could even see in the distance. He recognized the spires of a holy building on the corner. That boulevard would take him down to the big water, where the fire boats rested.
    But he began to walk out toward the arena. His ribs felt good now, and although he was aware of the tight knot in his belly, he seemed to have plenty of strength. And he dared to hope—foolishly, he knew—that there would be someone left at the arena site. Perhaps that was where the American in the brown suit lived. Perhaps some of the workers were still there, taking down the tents and the corrals. Charging Elk walked with purpose but he was light-headed from the hunger and weakness. He began to imagine that the show would be there, that he would soon hear the loud voice and the cheers of the audience. He imagined himself breaking free of the barrier and riding hard after the buffaloes. The audience was always thrilled at the excitement and danger of the event. Butit wasn’t really very dangerous—the herd was small and young, most of them yearlings or two-year-olds. It would have been dangerous if all the animals were full-grown—given their bulk and speed, they could have made short work of a weaponless rider and his horse in such a confined space. It would have been just as dangerous to be in the audience. In Paris, one of the young bulls had climbed the barricade and hooked two people before it was shot by one of the handlers.
    By now it was midafternoon and Charging Elk, while bemoaning his misfortune that night in the arena, began to notice something curious: There were hardly any people on the boulevard, and the stores, even the cafés and brasseries and tobacco shops, were closed. There were very few carriages on the street. Just the day before, Charging Elk had to stay on the small streets to avoid the crush of people. Just that morning, the shops had been open and people had sat outside in the cafés, soaking up the warm sun. He thought he must be on a dead street, that the people for some reason had decided this street was bad medicine, but when he came to a big cross street, it too was empty.
    Charging Elk walked on, part of him happy that there were no people to stare at him, another part becoming fearful that he was alone. Maybe it was against the law for humans to be out just now. Maybe something had happened to the big town. But he did see the occasional humans—a shopkeeper locking up, a woman pushing a pram, a couple of young men turning a corner to disappear.
    After a couple of rest stops, Charging Elk found himself at the big round square where the wagons and carriages went around and around to go to many streets—Rond Point du Prado. He knew the name because the interpreter had made him and the others say it before they left on their sight-seeing trip. If they got lost, they were to say it to a gendarme or an omnibus driver.
    Now Rond Point du Prado was quiet, only one taxi entering astreet angling off to his right. Charging Elk listened carefully for a loud voice, a cheering crowd, but all he heard was the clopping hooves of the horse pulling the taxi through the narrow, echoing street.
    Charging Elk crossed the roundabout, circling around the big stone statue that spit water. On the other side, he hurried up a wide street on the edge of a large park until he reached the field across from the greensward where the show had set up.
    There was nothing there. Not one tent, not one hawker’s stand, not even a fire pit where the Indian village had stood. He walked over to the large trampled circle of earth where the portable arena had been set up. The ground had been raked smooth. There was not a hoofprint on it, not one sign that the Indians, the cowboys, the soldiers, the vaqueros, the Deadwood stage, the buffaloes and horses had acted out their various dramas on this circle of earth.
    Charging Elk stood on the edge of the circle, not wishing to disturb its raked

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