of the coin. Apart from
the one old debt and their years as friends, the Count muttered, as he downed a big gulp of luscious rum.
âThis place is real quiet, isnât it?â
âThey gave a house to the people in the front room and itâs quieter than a morgue. Just listen to that silence, pal.â
âJust as well.â
âWhatâs up then?â asked Candito leaning back in his chair.
The Count downed another big gulp of rum and lit a cigarette, because it was the usual scene: he never knew how to broach with Candito the fact he wanted him to act as his informer again. He knew that despite friendship, discretion and the business of doing an old friend a favour, his jobs went against the strict, street ethics of a guy like Red Candito, born and bred in that dicey tenement where macho values excluded from the onset any kind of collaboration with a policeman: with any sort of police. So he decided to put out a few feelers.
âDo you know a young lad by the name of Pupy, who lives in the Settlers Bank building and rides a motorbike?â
Candito looked in the direction of the kitchen curtain.
âI donât think so. You know, Conde, thereâs two worlds in this place, rich little boys and street kids, like me. And itâs rich little boys who drive Ladas and ride motorbikes.â
âBut itâs only three blocks away.â
âI may know him by sight, but he donât ring any bells. And donât measure life in blocks: those people live the life of Riley while I have to try every trick in the book to get my wad. Donât put me in the shit. You know what the streetâs like. Anyway whatâs this fellow been up to?â
âNothing so far. Itâs to do with a crime and a half I need to solve. An ugly crime. Murder,â he said finishing his drink.
Candito poured out some more and the Count decided to get to the point: âRed, I need to know if thereâs a drug scene at Pre-Uni, marijuana, specifically, and whoâs supplying it.â
âIn our Pre-Uni?â
The Count nodded and lit up.
âAnd theyâve done someone in?â
âA teacher.â
âNasty . . . And whatâs the deal?â
âWhat I said . . . The night they killed her they smoked at least one joint in her house.â
âBut thatâs got nothing to do with Pre-Uni. I expect they got it somewhere else.â
âFucking hell, Red, whoâs the policeman here?â
âEasy, pal, take it easy. Iâm just telling you: I donât reckon Pre-Uni has anything to do with this.â
âThe connection is she lives near here, about eight blocks away, and Pupy was her boyfriend, though it
seems he was falling out of favour. I tell you: if someoneâs pushing dope in the barrio, it can get to kids at Pre-Uni.â
Candito smiled and indicated heâd like another cigarette: his fingers were now crowned by long, sharp nails as befitted a cobbler.
âConde, my Conde, you know every barrio has its pushers and itâs not only dope thatâs in the air . . .â
âNaturally, my friend. Find out from people in the barrio if anyone at Pre-Uni is buying: a woman teacher, a pupil, a caretaker, whoever. And find out if Pupy smokes pot.â
Candito lit his cigarette and took two drags. Then stared into the Countâs eyes, stroked his moustache, and smiled.
âSo pot hits Pre-Uni? . . .
âYou know, Candito, thatâs another thing I wanted to ask you: was it around in our day?â
âAt Pre-Uni? No. There were two or three hotheads snorting lines in those parties when the Gnomes or the Kents were playing, or people popped pills and knocked back rum â remember how those parties ended up? It was sometimes around, but one joint between a hundred. Blond Ernestico handled some in his barrio.â
âErnestico, youâre kidding?â the Count reacted in a state of shock as he recalled
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