of my pocket, and it beeps alive. When the forest appears onscreen, Iâm back on top, able to break free of all the fear thatâs bubbling up in my head.
âPJ, you should turn that off,â says Kendra. I pan to her disapproving scowl. âWe might need it later to help document landmarks on our hike. Keep us from walking in circles. Donât run down the battery.â
Thereâs truth to that, sadly. I hit the Power button, and the screen goes dead. Suddenly, all the agony of being out here comes flooding back into my skull and chest.
Iâm not going to cry. Iâm not going to have a panic attack. Not yet.
We find a flat spot thatâs more grass than leaves, and Kendra holds up a hand, telling us to stop. âLetâs try to make a fire here,â she says. âI have some Ramen noodles and a couple of granola bars in my backpack. We should eat.â
âDoes anyone know how to make a fire?â I ask, my voice cracking.
âI do,â say Ian and Kendra at the same time, and then stare at each other dumbly.
âTrust me on this one,â says Ian. âI know how to build a fire.â
âDo you?â she asks. âWho taught you?â
âMy dad. Dads teach their sons these things.â
âIs that what this is about?â says Kendra, almost vibrating with anger. âGirls canât build fires?â
Ian finally wins because he just starts gathering stones and twigs without waiting for another argument. Kendra looks flabbergasted without something to do, something to make right. It gets painful to watch her looking so confused and awkward, so I say, âWant me to go get water for the noodles?â
âThatâd be great,â she says, folding her arms. âIâll study the map some more.â It does the trickâsheâs in charge again. Besides, what else am I going to do?
The creek we stopped at before the wall extends up the mountain a few yards away, so I walk down to the edge with Kendraâs canteen. The water rushing along the smooth stones makes a nice burbling noise that helps calm my nerves a little. Right now, Iâm just relieved to not be stuck between those two opposing forces for a minute.
Thereâs a tiny pool near me where the creek levels out, and I crouch down and dunk the canteen into the icy water. It lets loose a line of bubbles that stops when itâs full, but I donât pull it out quite yet. Little fish swim around my fingers, sniffing at the canteen. One or two of them nudge my hand with slippery noses, and without thinking, I take out my camera and film them silently. The dayâs worry starts to disappear from my mind. I wonder about the fish. It must be strange, having a newcomer shove some big metal container into your home. What a funny idea, being a fish like these, spending your whole life in one little pool in a long creek. Maybe they change pools every year at some time, jumping upstream or letting the current take them down the mountainside. Maybe theyâre content to live in some small puddleâ
Someoneâs here.
My eyes fly up to the forest as my breath gets yanked out of my chest. Gray woods and brown leaves surround me, the same as before only now backlit with the bright gold and reddish brown of oncoming dusk, but I can sense something, a new presence, off in the woods.
âHello?â I call out. Nothing.
In the movies, the person who thinks theyâre being watched is almost always being watched. My mindâs eye pans out into the trees, imagines a close-cropped shot from some bushesâme, kneeling by the creekâwith heavy breathing over it. Now Iâm eyeing every bush and burrow, wondering where the eyes are, from what angle this new presence is watching me.
But itâs the curious people, who have to go wandering off to find out whatâs spying on them, who take a machete to the face. The people who get back to camp are the ones
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