with that reverence shining in his eyes.
âThink youâll make âer, do you?â Jim Mackie said, his eyes in a thoughtful peer. âWell, you never know.â He went back to working the tune.
âAnd you donât know the chords,â Alban Gallant said, looking at me. I nodded. Alban took the guitar, his left hand taking position. âYou use bar chords,â he said. He ran his left hand up the neck of the guitar, shifting his fingers and barring chords. He paused now and then, watching Jim, waiting for a chord turn in his fiddling. âA sharp,â Alban Gallant finally said, holding up his left index finger. âYou use this finger instead of the nutâthatâs this white thing here at the end of the fingerboard. You use the other fingers to get the chord, like thisâ¦â He paused for a minute with his fingers on the strings, thinking. âWait a minute; got any elastic?â he said to no one in particular.
âTake one of the wifeâs garters,â Jim Mackie said, without a pause.
âI use binder twineâall I can afford,â Alice said, slapping down the pack of cards. âHearts are trump.â
âEnough to tie up a good-sized sheaf, too,â Jim said.
âAnd enough to hang you with,â Alice said. She lurched out of her chair then, slapping down her cards, and got a piece of white elastic from the radio shelf. She dropped it on Alban on her way back to sit down.
âWhere did you get that?â Jim Mackie said.
âNever you mind.â
Alban Gallant took half a pencil from his pocket and constructed a crude capo by choking the guitar neck with the elastic and binding the tips of the pencil with it laying across the strings. âYou make up one of these and put it where you get the right sound with the chords, you know, see?â
âYeah, I do,â I said. I took the guitar and moved the capo up and down the strings, working my three chords, marvelling at how such a complicated thing could be made so simple.
âTime you learned a few more,â Alban said after watching me awhile. âHere.â He began placing my fingers on the strings. âThis is C⦠This is F⦠You use them with G⦠Yeah, good. You learn quick.â
Jim Mackie had not paused in his pondering saw.
âHeâs into it,â Alice said, eyeing Jim and slapping down a card. âThereâll be nothing but squeaks and squawks tonight. Once he starts a tune, heâs gone.â
Jim paid Alice no heed.
Alban Gallant paused, watching Jim with a smirk on his face. âWell I guess Iâll head home,â he said. He paused again, still looking at Jim. Finally, he took the guitar, deconstructed the capo, and put the guitar in a homemade canvas bag.
âDonât forget to give the elastic back to the wife,â Jim Mackie said, deadpan. âIt might belong to her âunmentionables.ââ He did not pause in his fiddling.
âI use binder twine for them, too,â Alice said.
âWeâll be seeing youse,â Alban said, heading for the door.
Everybody responded but Jim.
âYou boys may as well join us in a four-hander of Auction,â Alice said.
We sat in and played three games and Jim never let up. We had lunch and Jim didnât even let up to eat; his tea went cold beside the sandwiches and cake in a saucer on the stoveâs oven door.
âIf I was a squeeze box, he would have traded me in for a fiddle by now,â Alice said when we left.
Jim managed a âkeep at herâ without breaking stride.
Outside, the night had grown gloomier, speaking of more snow. There was still no wind. We walked in silence down past Dan Coulterâs house, which was situated just below the crown of the hollow. The shallow lamp glow from Danâs window stretched our shadows angle-wise and cast a faint glow at the block of woods by the brook as we made our way along.
âIf I get
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