Read Online Geek Love by Katherine Dunn - Free Book Online Page B
Authors: Katherine Dunn
Tags: Fiction, Literary, General, Sagas, Family, Domestic Fiction, Monsters, Families, Carnival Owners, Circus Performers, Freak Shows
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those at night? They're supposed to scare you.”
"Hey, nit squat! These are written by norms to scare norms. And do you know what the monsters and demons and rancid spirits are? Us, that's what. You and me. We are the things that come to the norms in nightmares. The thing that lurks in the bell tower and bites out the throats of the choirboys -- that's you, Oly. And the thing in the closet that makes the babies scream in the dark before it sucks their last breath -- that's me. And the rustling in the brush and the strange piping cries that chill the spine on a deserted road at twilight -- that's the twins singing practice scales while they look for berries.
“Don't shake your head at me! These books teach me a lot. They don't scare me because they're about me. Turn the page.”
Maybe it's mean to think, but the best time was before Chick was born. Things were simple. Papa would tell us about the hard times and explain that Arty had brought success to the show, and that Elly and Iphy had helped the business and, because he was a kind man, that even Oly had “done her part.” There was always work but it was good.
Mornings were our time. After lessons and before the stage shows began at 2 P.M. we were free creatures. Papa connected two chunks of tire tread with a nylon web, and attached web straps to fit over Arty's fore and aft fins. With this rubber-tread armor on his chest and belly, Arty could slither almost anywhere.
Papa thought we should be mysteries that the townies couldn't see without paying. But, if we were in the country, we were allowed to ramble as long as we stuck together.
“Get your asses the hell out of that tree!”
The farmer snapped his belt, doubled against itself, the strap wide enough to sting the air all the way up beside us among the Bings. Arty pressed his head back against the trunk and peered down at the man with the belt. He was old and strong and his eyes clicked on me as soon as I moved. I dodged out of sight and the belt snapped again. The leaves quivered above where Elly and Iphy were perched. They'd been bickering about how many cherries they could eat without sharing a bellyache and the runs. It must have been their high voices that drew this old codger. They were silent now, scared as usual.
“Come down now, or by all that crackles I'll be up there after you!” He didn't really sound mad. He'd stopped a ways out from the tree, too smart to come underneath where things might drop on him.
Arty's mouth moved close to my ear. “You first, then Elly and Iphy. He thinks it's kids.”
I crammed my voice into the top of my mouth and pitched it silly, “We're coming, mister, don't hurt us!” I took my dark glasses off and poked my head past the edge so he could see my ears sticking out from under my watch cap. I squinted so he couldn't tell the color of my eyes. The farmer's shrewd eyes tightened on me. His mouth quirked into one corner for a spit.
“I'll hurt you in a minute.”
“We've got to help our brother, mister, just a second.” Arty stretched his neck and clamped his jaw onto the last twig of cherries I held as I began climbing out of the tree crotch. “Elly,” I called deliberately, “Iphy, help me get Arty down.” A long leg appeared with a crumpled pink sock and a white sneaker. I peeked at the farmer. He cracked the folded belt against his high rubber boot. He was watching but he'd loosened a bit. The girls' names did that, soft, old-fashioned things. And the “Don't hurt us” had him disarmed.
“Psst!” Iphy was looking anxiously down at me while Elly maneuvered the descent. Arty muttered softly up at them, “Oly goes down first. You hand me down to her and then come.”
“We're coming down, mister,” I called, and then slid away from Arty, down the trunk, gripping with toes and fingers in the deep cracks of the bark to slip down the easy slope of the tree on the side away from the brown-faced man with the belt. When I hit the ground I
"Hey, nit squat! These are written by norms to scare norms. And do you know what the monsters and demons and rancid spirits are? Us, that's what. You and me. We are the things that come to the norms in nightmares. The thing that lurks in the bell tower and bites out the throats of the choirboys -- that's you, Oly. And the thing in the closet that makes the babies scream in the dark before it sucks their last breath -- that's me. And the rustling in the brush and the strange piping cries that chill the spine on a deserted road at twilight -- that's the twins singing practice scales while they look for berries.
“Don't shake your head at me! These books teach me a lot. They don't scare me because they're about me. Turn the page.”
Maybe it's mean to think, but the best time was before Chick was born. Things were simple. Papa would tell us about the hard times and explain that Arty had brought success to the show, and that Elly and Iphy had helped the business and, because he was a kind man, that even Oly had “done her part.” There was always work but it was good.
Mornings were our time. After lessons and before the stage shows began at 2 P.M. we were free creatures. Papa connected two chunks of tire tread with a nylon web, and attached web straps to fit over Arty's fore and aft fins. With this rubber-tread armor on his chest and belly, Arty could slither almost anywhere.
Papa thought we should be mysteries that the townies couldn't see without paying. But, if we were in the country, we were allowed to ramble as long as we stuck together.
“Get your asses the hell out of that tree!”
The farmer snapped his belt, doubled against itself, the strap wide enough to sting the air all the way up beside us among the Bings. Arty pressed his head back against the trunk and peered down at the man with the belt. He was old and strong and his eyes clicked on me as soon as I moved. I dodged out of sight and the belt snapped again. The leaves quivered above where Elly and Iphy were perched. They'd been bickering about how many cherries they could eat without sharing a bellyache and the runs. It must have been their high voices that drew this old codger. They were silent now, scared as usual.
“Come down now, or by all that crackles I'll be up there after you!” He didn't really sound mad. He'd stopped a ways out from the tree, too smart to come underneath where things might drop on him.
Arty's mouth moved close to my ear. “You first, then Elly and Iphy. He thinks it's kids.”
I crammed my voice into the top of my mouth and pitched it silly, “We're coming, mister, don't hurt us!” I took my dark glasses off and poked my head past the edge so he could see my ears sticking out from under my watch cap. I squinted so he couldn't tell the color of my eyes. The farmer's shrewd eyes tightened on me. His mouth quirked into one corner for a spit.
“I'll hurt you in a minute.”
“We've got to help our brother, mister, just a second.” Arty stretched his neck and clamped his jaw onto the last twig of cherries I held as I began climbing out of the tree crotch. “Elly,” I called deliberately, “Iphy, help me get Arty down.” A long leg appeared with a crumpled pink sock and a white sneaker. I peeked at the farmer. He cracked the folded belt against his high rubber boot. He was watching but he'd loosened a bit. The girls' names did that, soft, old-fashioned things. And the “Don't hurt us” had him disarmed.
“Psst!” Iphy was looking anxiously down at me while Elly maneuvered the descent. Arty muttered softly up at them, “Oly goes down first. You hand me down to her and then come.”
“We're coming down, mister,” I called, and then slid away from Arty, down the trunk, gripping with toes and fingers in the deep cracks of the bark to slip down the easy slope of the tree on the side away from the brown-faced man with the belt. When I hit the ground I
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