perfecting. She was giving him the mood he wanted. Pensive, patient, sensuous. He already knew, even before the first brush stroke, that this would be one of his best. Perhaps his very best. And he knew he would have to paint her again, in other moods, in other poses.
But that was for tomorrow. Today, now, he needed to capture the tone of her, the feel, the simplicity. That was pencil lines and curves. Black against white, and a few shades of gray. Tomorrow he would begin filling in, adding the color, the complexities. When he had finished he would have the whole of her on canvas, and he would know her fully, as no one had ever before or would ever again.
âWill you let me see it as you go along?â
âWhat?â
âThe painting.â Laura kept her head still but shifted her eyes from the window to him. âI know artists are supposed to be temperamental about showing their work before itâs finished.â
âIâm not temperamental.â He lifted his gaze to hers, as if inviting her to disagree.
âAnyone could see that.â Though she kept her expression sober, he could hear the amusement in her voice. âSo will you let me see it?â
âDoesnât matter to me. As long as you realize that if you see something you donât like I wonât change it.â
This time she did laugh, more freely, more richly than before. His fingers tightened on the pencil. âYou mean if I see something that wounds my vanity? You donât have to worry about that. Iâm not vain.â
âAll beautiful women are vain. Theyâre entitled.â
âPeople are only vain if their looks matter to them.â
This time he laughed, but cynically. He set down his pencil. âAnd yours donât matter to you?â
âI didnât do anything to earn them, did I? An accident of fate, or a stroke of luck. If I were terribly smart or talented somehow Iâd probably be annoyed with my looks, because people look at them and nothing else.â She shrugged, then settled with perfect ease into the pose again. âBut since Iâm neither of those, Iâve learned to accept that looking a certain way is . . . I donât know, a gift that makes up for a lack of other things.â
âWhat would you trade your beauty for?â
âAny number of things. But then, a trade isnât earning, either, so it wouldnât count. Will you tell me something?â
âProbably.â He took a rag out of his back pocket and dusted off his hands.
âWhich are you more vain about, your looks or your work?â
He tossed the rag aside. It was odd that she could look so sad, so serious, and still make him laugh. âNo oneâs ever accused me of being beautiful, so thereâs no contest.â He started to turn the easel. When she began to rise, he motioned her back. âNo, relax. Look from there and tell me what you think.â
Laura settled back and studied. It was only a sketch, less detailed than many of the others heâd done. It was her face and torso, her right hand resting lightly just below her left shoulder. For some reason it seemed a protective pose, not defensive, but cautious.
Heâd been right about the shirt, she realized. It made her seem more of a woman than any amount of lace or silks could have. Her hair was long and loose, falling in heavy, disordered curls that contradicted the pose. She hadnât expected to find any surprises in her face, but as she studied his conception of it, she shifted uncomfortably in her chair.
âIâm not as sad as you make me look.â
âIâve already warned you I wouldnât change anything.â
âYouâre free to paint as you please. Iâm simply telling you that you have a misconception.â
There was a huffiness in her voice that amused him. He turned the easel around again but didnât bother to look at his work. âI donât
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