me.â
She and her assistant exchanged a quick look.
âIs there a problem with that?â
âWell, no,â she said. Her gaze shifted to the doorway. âHereâs Mrs. Renquist, the ward supervisor. I think sheâs the person you should properly discuss this with.â
We went through another round of introductions and explanations. Mrs. Renquist was perhaps forty-five, thinand tanned, with a wide, good-natured mouth and the dusky, lined complexion of a smoker. Her dark auburn hair was pulled back in a knot shaped like a doughnut, probably supported by one of those squishy nylon devices they sell at Woolworthâs. The three women seemed to hover about me like secular nuns, full of murmurs and reassurances. Within minutes, Mrs. Renquist and I were out in the corridor, heading toward the ward.
Â
Â
Â
Â
5
Â
Â
I heard Agnes Grey before I ever laid eyes on her. Mrs. Renquist and I had climbed the wide curving stairs to the second floor. We proceeded down the upper hallway without saying much. The character of the grade school was still oddly evident, in spite of the fact that extensive remodeling had been done to accommodate current use. The former classrooms had been quite large, with wide, multipaned windows stretching almost ceiling to floor. Light streamed in through glass embedded with chicken wire. The woodwork had been left in its original state, varnished oak aged to a glossy russet shade. Up here, the worn wood floors had been covered with mottled white vinyl tiles and the once spacious rooms had been partitioned into cubicles, containing two beds each. The walls were painted in shades of pale green and blue. The place was clean, if impersonal, the air perfumed with intimate body functions gone sour. Old people were visible everywhere, in beds, in wheelchairs, on gurneys, huddledon hard wooden benches in the wide corridor; idle, insulated from their surroundings by senses that had shut down over the years. They seemed as motionless as plants, resigned to infrequent watering. Anyone would wither under such a regimen: no exercise, no air, no sunlight. They had outlived not only friends and family, but most illnesses, so that at eighty and ninety, they seemed untouchable, singled out to endure, without relief, a life that stretched into yawning eternity.
We passed a crafts room where six women sat around a table, making potholders out of nylon loops woven on red metal frames. Their efforts were as misshapen as mine had been when I was five. I never liked doing that shit the first time around and I didnât look forward to having to do it again at the end of my days. Maybe Iâd get lucky and be struck down by a beer truck before I was forced into such ignominy.
The recreation room was evidently just ahead, as Iâd picked up the blast of a television set turned up loud enough for failing ears, a PBS documentary by the sound of it. The banging and shrieking suggested tribal rites somewhere in a culture not given to quietude. We turned left into a six-bed ward where a series of curtains were all that separated one patient from the next. At the far end of the room, like the origins of the Nile, I could see the source of the uproar. It wasnât a television set at all. Without even asking, I knew this was Agnes. She was stark naked, dancing a dirty boogie on the bed while she accompanied herself by banging on a bedpan with a spoon. She was tall and thin, bald everyplace except her bony head, which was enveloped in an aureole of wispy whitefuzz. Malnutrition had distended her belly, leaving her long limbs skeletal.
The lower portion of her face had collapsed on itself, jaw drawn up close to her nose in the absence of intervening teeth. She had no visible lips and the truncated shape of her skull gave her the look of some long-legged, gangly bird with a gaping beak. She was squawking like an ostrich, her bright, black eyes snapping from point to point. The minute
Kathleen Karr
Sabrina Darby
Jean Harrington
Charles Curtis
Siri Hustvedt
Maureen Child
Ken Follett
William Tyree
Karen Harbaugh
Morris West