you?â
âI guess,â you say. âWhy are you here?â
âJacks asked me to.â
âYou? He did?â
Angela shrugs. âIâm the only person ever witnessed talking to you, so I suppose I was a natural choice.â
âNatural enough, I suppose.â You donât like it, do you, Will? The clinical sound of it. You almost expect her to produce some Department of Social Services paperwork for you to sign, attesting to your still-alivability, so she can be on her way. So. What did you expect then? You make yourself a non-person flyspeck of a creature of no consequence, and then what? Long to be of consequence? You wanted maybe for her to come in on bended knee, begging you to rejoin the race? You wanted her to bring flowers from the class and balloons from Jacks and a teddy bear from the headmaster and a great big gigantic card signed by everyone you donât know wishing you a speedy recovery and return? Well, unfortunately, you are a victim of your own success. You donât hardly exist.
âOkay, it wasnât only that Jacks asked me to do it. I also, maybe, felt a little responsible. Like, you know, the last time I saw you you were asking me to bag out of school with you and I said no. So I thought maybe you were, I donât know, killing yourself over that.â
That may have been a joke. You have no idea.
âAnd you wouldnât want to miss that ,â you say flatly.
You look at her and she looks back. Refusing to respond. Refusing to acknowledge. Or to deny.
Fair enough.
You look at the TV, in that way that tells a person, without pointing or speaking, that you want them to look at what you are looking at. She does not need to be told twice.
âYa, and thereâs that,â she says sadly.
Then you both just watch. It lasts about a minute. Long by local news standards. This is big news in a small town.
âSculpture looks nice, though,â she says. âEverybody says so.â
Everybody says so. Everybody is saying.
You look and look until the image goes away and an infomercial for revolutionary cookware replaces it.
You start nodding, nodding, agreeing with something, long before you begin speaking. She is watching you getting more sure of the agreement, nodding harder and quicker.
âYou want me to go?â Angela asks.
You continue nodding.
âMy dad drove off the road,â you say.
This is the first time you have yet caught Angela at all off guard. âOh,â she says. She starts to say more, but says the same again. âOh.â
âInto the water. With my stepmother.â You continue tonod, as if you are not telling the story but are instead listening to it, and agreeing with it.
âOh. Iâm, you know, sorry. Was this . . . do you mean, like, recently?â
You nod. â âBout a year ago. He adored Sinatra. Sinatra died right after. The truth is I think my dad was some kind of carrier pigeon of death. The real surprise is that people around him actually lived, not that they died. Or maybe not surprise, maybe accident is a better word. Or mistake, even, is a better word.â
Angela looks sad. You had not achieved that before. How does that feel? Did you want that? Careless. It is easy to be careless, no?
âBut he did love Sinatra, though. Loved him nuts.â
He certainly did.
âIâm sorry to hear.â
âYou donât like Sinatra?â
âNo . . . sorry to hear, about the accident.â
âWasnât any accident.â
You do not know that. That is not knowable.
â âScuse?â
âThere was no good reason for them to have gone off the road. They could find no good reason for the crash. He just killed them both. They were only married a year, just like he was with my real mother before she died. Maybe there was,like, a time limit . . .â You shrug. Your great lying cowardly shrug.
What would they
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