tattered bathrobe that exposed his bony knees, sitting at his computer, unable to fall back to sleep. The Internet makes possible some strange friendships. Atkinson made clear to me that for reasons of literary vanity, he did not wish to see his letters published, but I was free, he said generously, to summarize their contents.
From the first, Rachel disliked Atkinson. She thought he was an egotist and arrogant, but then, I countered silently, no one without a certain egotism can spend so long in the West African jungle. I liked Atkinson's forthright prose, and I admired the way that he had defied his father in order to pursue a scholarly career: Atkinson's father, a Chicago commodities broker, sent him to London in the early 1930s to learn the tea trade; but Atkinson promptly enrolled in the celebrated doctoral program in anthropology at the London School of Economics under the legendary Bronislaw Malinowski, and reconciled with his father only after Atkinson's older brother died in combat in the South Pacific.
In his middle twenties, Atkinson went to live with the Doyo in French West Africa for five years, and emerged finally with the book that won him a professorship at Yale, where he spent almost two decades before moving to California. He wrote books about West Africans filled with hard midwestern facts. He described and described again the Doyo—how they married, how they died, how they made millet beer, and how they fought their tribal wars; famously, he himself fought in a Doyo tribal war, and emerged with a scar across his neck and upper body. Atkinson made sure the handsome silver eel-shaped wound was showing in the publicity photos on the back of all his books. Those photos, taken when Atkinson must have been in his early fifties, showed a large, well-muscled man with tight curly hair, silver at the temples, wearing an open-necked shirt. His eyes were hooded, toughening up a face that otherwise might have been delicate. His ridged arms were crossed at the chest, and his hands were large and strong. "He's not
my
type," Rachel said, looking at the picture. "But I can see what Martiya saw in him."
After she graduated, Tim Blair had told me and Atkinson confirmed, Martiya decided to travel. "Things were over with Atkinson," Rachel said. She twirled a strand of her long hair meditatively. "Martiya must have had the affair with Atkinson, saw that things weren't going anywhere, and left. It explains why she broke up with the bald guy in San Francisco too."
"You think?"
"She saw the writing on the wall. What do you do when you're twenty-three with a guy who's almost sixty? It was a we're-both-moving-on-but-we-care-for-each-other breakup, not an I-hate-you-how-could-you get-my-sister-pregnant breakup," she said.
Rachel's elegant hypothesis was consistent with the facts: from the road, Martiya wrote to Atkinson as she had written to Tim, long letters describing the Second-Class Waiting Room of the Udaipur train station; or the Kurdish wedding to which she had been invited. Atkinson told me that when she came back to Berkeley, Martiya asked him what he thought she should do with herself. Atkinson loved giving young people advice: he told Martiya that her curiosity and intelligence would make her a superior scholar in any number of disciplines, but in his opinion,
kiddo
, she was a natural anthropologist. Martiya followed her professor's counsel and enrolled in the Ph.D. program in the Department of Anthropology, where Martiya asked Atkinson to supervise her doctoral thesis.
"Well, naturally," Rachel said. "She wasn't
stupid
."
Martiya had originally intended to write her doctoral thesis on the Pipikoro. She knew the language, she argued, and her childhood intimacy with the people would allow her to present the culture vividly. But Sulawesi was politically unstable in the early 1970s, which made grants hard to come by. Joseph Atkinson, too, was opposed to her plans: the Pipikoro were not an unknown people in scholarly
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