Fallowblade

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Authors: Cecilia Dart-Thornton
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elements were as extensions of her own faculties, never erred.
    A thin layer of wispy clouds drifted at an altitude of about five hundred feet, spread on a horizontal plane. Above it stood a deep chasm of cloudless sky, roofed by thick, fast-moving cumulus, like clumps of lamb’s wool borne on a clear tide. The river meandered below, grey as polished pewter, its shores braided by dark green knots of trees. Dense flosses of foliage mottled the landscape as far as the eye could see. Through the dense cover the road could seldom be glimpsed. Occasionally Asr ă thiel and her passenger would see a curve of it engraved into the foliage, with pocket-handkerchief fields and meadows fanning out from the verges, studded with square-cut buttons that were the roofs of buildings.
    It was easy to spy the marching columns of King Thorgild’s cavalcades and infantry columns: an articulated serpent in gleaming mail winding its way along the River Road towards Narngalis, pennants flying. The troops who walked or rode below the aerostat looked up to behold two beautifully dressed young women gliding upon the air, borne up by a silver-white sphere, and they were struck with awe by the sight. They welcomed the presence of a weathermage to aid them in their journey. Asr ă thiel guided her aircraft with a precision that pilots lacking the brí could only dream of, until the basket hovered just above the treetops at the head of the column, matching the pace of the marchers. Flocks of crows scattered from the trees as the balloon passed by.
    King Thorgild rode in the lead with his three sons Hrosskel, Halvdan and Gunnlaug. Unhelmed were they, their hair shining copper-gold whenever the sun broke through the clouds. The emblem of the square-sailed longboat was embroidered against the turquoise background of their velvet tabards, and peacock plumes adorned the harness of their steeds. Beneath the tabards they were armed, but not yet heavily armoured for war. Over the rattle and shriek of the startled crows, Asr ă thiel exchanged greetings with the royal family and gave them such advice as she could. The way seemed clear before them, she had sighted no danger on the road, and King Warwick’s troops were southbound to meet the first spear thrust of the invasion. She emphasised the fact that haste was imperative, for against the combined forces of Slievmordhu and Ashqalêth, Narngalis would be outnumbered and hard-pressed.
    Well after the sun had set, the columns continued to march, but eventually, when they had penetrated a lush and fertile river valley, Thorgild issued the command to halt and make camp for the night. Speed was essential, it was true, but the troops must arrive at their destination in good order, not exhausted and underfed. Within the hour, a city of portable shelters sprang up all along the valley floor.
    Having known a long period of peace, Grïmnørsland was not equipped with the latest in tentage for military campaigns. Many of the structures were aged. Most had originally been fashioned for use at tournaments, state ceremonies, picnics or hunting expeditions. Made from heavy sailcloth first dyed with weld then over-dyed with woad to produce a deep blue-green shade, the tents were triangular or wedge shaped, with finials cast in the design of fishes. The royal compound dominated the encampment, its vertical sides adorned with heraldic devices, banners flying from the tips of its pointy roofs. Here it was that Thorgild sheltered his horses and the upper echelons of his household. The main structure in the compound consisted of twelve single- and double-peaked pavilions with tasselled valances, all connected by passages. Four of the edifices were for the use of Thorgild—a pavilion for the council of state, a bath pavilion, an arming pavilion and so on—the rest were for his sons. As royal pavilions went, it was austere.
    It was not until Asr ă thiel and Linnet had landed the balloon and joined the royal family in their

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