Fall of Hades

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Authors: Richard Paul Evans
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Torstyn’s and Tara’s garb, was a pink, paper-fabric jumpsuit.
    He had woken confused. He couldn’t remember if it was the day he would be moved into the monkey cage. He thought he remembered a guard telling him that, but he couldn’t remember or even be sure whether the guards were toying with him or not.
    Ever since his stay in Cell 25 he had trouble keeping his thoughts together. Even with all the terror and humiliation of the monkey cage, he would still choose it over Cell 25. How had Vey survived it? Vey was a lot stronger than Quentin had given him credit for.
    There was a loud burst of air, and Quentin looked up to see his door open. Hatch walked into Quentin’s cell, leaving his guards outside.
    â€œI came to see if you were ready to tell me about Welch.”
    Quentin looked away from him.
    â€œI’ve been visiting with your partners in crime—the ones you’ve murdered by involving them in your plot. Not surprisingly, they are not doing well. It seems that they are afraid to die. Where you, on the other hand, would gladly die, wouldn’t you?”
    Quentin tightly closed his eyes.
    â€œCell 25 has that effect,” Hatch said softly. “I went to see if they would tell me where Welch is. But they don’t know, do they? Not that that would have spared them anything. Either way they will die a horrible and ignominious death.” He walked closer to Quentin’s cot. “I would ask if you knew where he was, but I know you don’t—otherwise you would have told us in Cell 25. You have nothing to give me.”
    â€œThen what do you want?” Quentin asked.
    â€œI just wanted to see you.” Hatch sat down on the edge of Quentin’s cot. “And enlighten you.
    â€œYou might be wondering, why the monkey cage? I did not invent this torture, you know. I wish I had, but someone beat me to it. There is precedence for this. You’ll be glad to know you’re in good company.
    â€œAt the end of World War II, the Americans established an army disciplinary camp in Pisa, Italy. Right next to the famous leaning tower. At that time, the greatest attraction in Pisa was not the tower. It was an American traitor named Ezra Loomis Pound. Pound wasn’t just any American; he was one of the most famous poets in the world. He was a friend to Yeats. He collaborated with T. S. Eliot on his masterpiece ‘The Waste Land’—in fact, the book is dedicated to Pound. He even hung around with Ernest Hemingway. He learned boxing from him.
    â€œHe was an absurd little man, the pride of the world’s intelligentsia and the social elite. He was invited to all their fancy soirees. He once attended a London society party dressed in an all-green suit made from the felt of a billiard table.
    â€œBut none of that mattered after the war. He had betrayed his country. He, like you, was a traitor. To punish Pound for collaborating with the enemy, the Americans put him in a monkey cage. It didn’t take long for it to crack his beautiful mind.
    â€œThe uncultured American soldiers would stand next to the cage and listen to the madman rant in English, Italian, Chinese, French, and even some languages he made up. They didn’t realize that what he was ranting was the brilliant mental vomit of a genius, and what he said became some of the greatest poetry of his time:
    â€œThe enormous tragedy of the dream in the peasant’s bent shoulders
    Manes! Manes was tanned and stuffed,
    Thus Ben and la Clara a Milano
    by the heels at Milano
    . . .
    yet say this to the Possum: a bang, not a whimper,
    with a bang not with a whimper, . . .
    â€œBen and Clara were Benito Mussolini and his mistress, Clara, who were hung by their feet in Milano. The Possum was Pound’s nickname for his old friend T. S. Eliot. He was mocking Eliot’s poem ‘The Hollow Men.’” Hatch sighed. “This is how the world ends, not with a bang but a

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