clad in cottony russet, most of the tinsel strips fluttered loose from the plum tree, and leaves had browned and dropped. The tree looked as though it was undressing; a sad old stripper unveiling her bones to an apathetic crowd.
Clutching the Pardieu fables, Isola went to settle herself at the roots. Her usual spot, however, was taken.
Something furry was lumped there, wheezing slightly. She leaned over the creature, its eyes shuttered tight. Purple stained its mouth, and there were soured plums clutched in its paws.
âAre you the little fellow whoâs been eating all of Mumâs thyme?â Isola asked the woozy black rabbit. She picked up a nibbled plum, all shrivelled on the inside. âSorry, little bunny, but itâs bad fruit.â Isola stretched her fingers to stroke its floppy ears.
Two things happened instantaneously. The rabbit bolted awake at her touch, bared its teeth at her â a horror-mouthful of black fangs â and hissed venomously. Then a scream echoed around the court, as bright and high as stars.
Isola sprang to her feet. The scream had come from across the road. The black rabbit darted through a scrub of dandelion clocks, whooshes of white ballooning up in his wake as he tore off towards the woods.
More screams. Her imagination sprouted feathers and flew â flew to the forest where the corpse had hung, to the window where the girl ghost had threatened her. Stay out of the woods .
Isola ran across to Number Thirty-seven; the shouts were coming from the backyard. Holding tightly to her fairytale book, a knightâs shield, she crept around the side of the house, squeezing close to the wire fence, leaning forward so as not to catch her hair.
Yet another scream swirled with secondary flavour now. Laughter. It sounded like children â the littlest Poes. She exhaled with relief and turned to make good her escape.
âWho are you ?â
Isola looked down in surprise at the owner of the grumpy voice. A sandy-haired boy blocked her path and glared up at her from under an obviously mother-cut fringe.
âIâm Isola,â she replied, as cheerfully as she could. She had never been good with children; she found it difficult faking the constant sunniness. âIs everything all right here?â
âIt was just fine until you started snooping around,â said the po-faced little Poe. âWho invited you, anyway?â
âI did, you creep.â
Isola spun around. Edgar Allan Poe had joined them in the narrow channel beside the house.
âCâmon, Annabel Lee,â said Edgar cheerfully, and it wasnât faked at all.
âShe said her nameâs Isola , retard,â intoned the boy, with an exaggerated rolling of eyes.
She paused at the sight of the spacious backyard, also scattered with kidsâ toys and half-built furniture. Garden tools and an upended tree sapling circled a great crater in the middle of the yard.
âMove it!â snapped the boy, shoving his way past her. âDumb blonde!â
âHey!â Edgar made a snatch for his shoulder as the boy ran past. âLittle brat. . .â He turned back to Isola, and that remarkably natural smile was still there. âCome to complain about the noise, hey, neighbour?â
She crossed her arms. âI thought you were being murdered.â
âAnd you were dashing over to save us? Mighty brave of you. And you didnât even bring a weapon!â He wiped his dirt-smeared hands on his jeans, peering at the gilded French title on her storybook. âUnless that brick counts? Less fables ââ
â Les Fables et les Contes de Fées de Pardieu . It means, âThe Pardieu Fables and Fairytalesâ.ââ
âOh, cool.â
âYou know them?â
âNever heard of âem.â
âYouâre kidding! You donât know Lileo Pardieu? Any of her stories?â Isola rattled off a few titles to his increasingly bewildered
Sonya Sones
Jackie Barrett
T.J. Bennett
Peggy Moreland
J. W. v. Goethe
Sandra Robbins
Reforming the Viscount
Erlend Loe
Robert Sheckley
John C. McManus