counter clean. Shloim W peered through the upper bulb of one of the hourglasses with which he could no longer bring himself to part. No one said anything as Yankel read the note, and no one ever said anything afterward, as if the disappearance of his wife weren’t the slightest bit unusual, or as if they hadn’t noticed that he had been married at all.
Why couldn’t she have slid it under the door? he wondered. Why couldn’t she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker? or I’ll be back soon, don’t worry. It was so strange to him that such a different kind of note — I had to do it for myself — could look exactly the same: trivial, mundane, nothing. He could have hated her for leaving it there in plain sight, and he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I’ve ever written, yes, I would sooner die than have to write this again. Where were the dried teardrops? Where was the tremor in the script?
But his wife was his first and only love, and it was the nature of those from the tiny shtetl to forgive their first and only loves, so he forced himself to understand, or pretend to understand. He never once blamed her for fleeing to Kiev with the traveling and mustachioed bureaucrat who was called in to help mediate the messy proceedings of Yankel’s shameful trial; the bureaucrat could promise to provide for her future, could take her away from everything, move her to someplace quieter, without thinking, without confessions or plea-bargaining. No, that’s not it.
Without Yankel. She wanted to be without Yankel.
He spent the next weeks blocking scenes of the bureaucrat fucking his wife. On the floor with cooking ingredients. Standing, with socks still on. In the grass of the yard of their new and immense house. He imagined her making noises she never made for him and feeling pleasures he could never provide because the bureaucrat was a man, and he was not a man. Does she suck his penis? he wondered. I know this is a silly thought, a thought that will only bring me pain, but I can’t free myself of it. And when she sucks his penis, because she must, what is he doing? Is he pulling her hair back to watch? Is he touching her chest? Is he thinking of someone else? I’ll kill him if he is.
With the shtetl still watching — Lilla still fingering, Bitzl Bitzl still scrubbing, Shloim still pretending to measure time with sand — he folded the note into a teardrop shape, slid it into his lapel, and went inside. I don’t know what to do, he thought. I should probably kill myself.
He couldn’t bear to live, but he couldn’t bear to die. He couldn’t bear the thought of her making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn’t bear to keep it, but he couldn’t bear to destroy it either. So he tried to lose it. He left it by the wax-weeping candle holders, placed it between matzos every Passover, dropped it without regard among rumpled papers on his cluttered desk, hoping it wouldn’t be there when he returned. But it was always there. He tried to massage it out of his pocket while sitting on the bench in front of the fountain of the prostrate mermaid, but when he inserted his hand for his hanky, it was there. He hid it like a bookmark in one of the novels he most hated, but the note would appear several days later between the pages of one of the Western books that he alone in the shtetl read, one of the books that the note had now spoiled for him forever. But like his life, he couldn’t for the life of him lose the note. It kept returning to him. It stayed with him, like a part of him, like a birthmark, like a limb, it was on him, in him, him, his hymn: I had to do it for myself.
He had lost so many slips of paper over time, and keys, pens,
Moxie North
Martin V. Parece II
Julianne MacLean
Becca Andre
Avery Olive
Keeley Smith
Anya Byrne
Bryan Reckelhoff
Victoria Abbott
Sarah Rees Brennan