upper lip. âYou said âshot in the throatâ. Youâre sure? The FBI, they told you that?â
âThey didnât have to. I saw it in the pictures.â
She lifts her head. The pupils of her eyes have gone huge, black holes that crowd the blue irises into the thinnest of circles.
âJoy. Oh, Joy. I am sorry. I am
sorry.
â
I donât want to feel sorry for Marsha, but I canât help it.
She grabs my arm with both hands, and her fingernails dig into my forearm. âI canât believe this is happening, I just canât believe itââ
Her voice is going up octaves, an opera of distress, and she starts breathing faster and faster.
â
Marsha.
â I peel her hands off my arm, see that her nails have left red and purple dents and in two or three places drawn tiny dots of blood. Marsha and her damn claw manicures. I wrap my pink fuzzy throw around her shoulders. âDeep breaths,â I tell her. âIâll be right back.â
I smell fresh coffee from the kitchen, which makes one less thing Iâll have to do, and I glance back over my shoulder. Marshaâs head touches the tops of her knees, and she has wrapped her arms around herself and is crying softly. Almost, I go to her. Almost, I put my arms around her with real affection.
And then with a flash of memory comes a sliver of resentment. This is the same Marsha who took me to the ER with a red hot appendix four years ago. The same Marsha who held up my admittance because she wanted to look at the list of ER doctors on duty before she would let them take me away, the same Marsha who sobbed like a baby when I snapped her head off and told her to let it be. The same Marsha, soothed by emergency room nurses and admitting clerks who ran to get her hot coffee and a comfortable place to sit while I writhed in agony. And somehow, as only Marsha can, my cousin had turned my emergency into a personal soap opera, starring none other than poor little Marsha herself, doing her best for her cousin, who rewards her with brutal unkindness and hurts the tender feelings of her heart.
Right. Coffee. A glass of water. And Iâll be on my way.
But the phone rings while Iâm pouring the coffee, and I wipe my hands on a dishtowel and head for the office extension. Marsha, miraculously on her feet, moves like a racehorse at the starting bell, and sheâs picked it up before Iâve taken more than three steps.
It is a relief to hear how calm her voice is. Sheâs OK now. One cup of coffee and Iâll go.
I hear her mutter something, and the clack of her shoes in the hall.
âJoy?â she says, appearing around the doorframe.
I am already shaking my head and mouthing
no
.
âIt was the FBI. They need to talk to you. They want you to go in to their office right now and answer questions. They want you
immediately
â they said itâs urgent.â
I blow air out of my cheeks, not sure what to do. âAre they still on the phone? Are they waiting?â
She shakes her head. âI stalled. I told them you werenât expected until tonight, and that Iâd already tried to get you a little earlier, but that you werenât answering your cell. I set it up for you to go in first thing in the morning, but they made me promise to try to get you in their office today, if you happened to call and check in.â
I frown at her, not understanding, and she puts a hand on my arm.
âJoy, the things they were saying when they talked to me. Earlier, when they came to my house. They asked me for a sample of your handwriting.â
âDid you give it to them?â
âWell, sure. Because they said it was to rule you out. But now that I think about it, it worries me. You need to get a lawyer before you talk to them. Donât go down to that office alone.â
EIGHT
M y trip to Arkansas is on hold till I talk to the FBI.
The conference room is too hot. The carpet is thin and grey,
Jaide Fox
Poul Anderson
Ella Quinn
Casey Ireland
Kiki Sullivan
Charles Baxter
Michael Kogge
Veronica Sattler
Wendy Suzuki
Janet Mock