glintedââa general is used to being in charge. I told his daughter that the general was reliving those war years, shouting in the night. But she wasnât at all reasonable and she moved him out.â Stephanie snapped her fingers. âShe talked to me that morning, and that afternoon he was gone.â
Annie smoothed a wrinkle from her cream wool slacks. She said pleasantly, âDidnât that make you wonder a little?â
âWonder?â The director sounded puzzled.
âAbout the validity of the generalâs complaint.â Into the sudden, resistant silence, Annie demanded, âWhat was his complaint?â
The manager fingered a candy cane earring. âOh, it was just crazy. He didnât like J. J., thatâs what it came down to. He told his daughterâand I swear, she should have been a generalââ
Annie kept her expression pleasant and welcoming and mentally applauded the combative generalâs daughter.
ââthat heâthe generalâhad accidentally bumped J. J. from behind with his wheelchair, and then, according to the general, J. J. took his wheelchair and swung him around and rolled him to his room andââ She broke off, shook her head impatiently, her tawny hair rippling. âItâs too absurd.â Her eyes flashed. âI need to know why you are asking these questions.â
âBecause another resident has been abused by Mr. Brown. That residentââAnnie spoke carefullyâ
âlives in terror of him. And Iâm here to see about it.â
The manager clamped her hands on the chair arms. There was no smile now. âThat is a very serious accusation, Mrs. Darling. Who is making this claim?â
âAn old woman.â Annie remembered the shuddering voice: he makes you listen. âA helpless old woman who is terrified for darkness to come. He has a key that opens every door. Once he came to her room in the middle of the night and was standing at the foot of her bed when she awakened. She screamed. The next day everyone told her sheâd had a nightmare.â
The manager was indignant. âOld people often have nightmares!â
Annie folded her arms. âMiss Hammondââno,they werenât buddies, not nowââyou donât stay here at night, do you?â
Her silence answered.
âThen please listen to me. The man youâve hired is cruel. He delights in frightening old people. I donât doubt there are many whoâve had no problem with him. He would seek out those who are vulnerable.â
Stephanie Hammond surged to her feet, her face ridged. âYou must give me the name of the person involved. And the circumstances.â
Annie remembered Twila Fosterâs soft uncertain eyes and thin face and the clawlike fingers plucking at her lace collar and the fear, the demeaning, dreadful, terrible fear. Annie rose and the two women faced each other, wary antagonists. âWhat will you do?â
The manager gestured toward the door. âWhy, Iâll talk to J. J. and seeââ
âWhat he has to say? What do you think he will say?â Annie spread out her hands. âOf course heâll deny everything. A nightmare.â She was sardonic. âOr sheâs imagining persecution. Or confused. Itâs easy to say an old person is imagining things. If you tell him her name, heâll whisper to her late at night in that soft high voice. Heâll tell her she will have to pay. He told her once that sheâd been nothing but trouble ever since she came.â
âThis is all unsubstantiated. You canât expect me to take action against an employee without some kind of proof.â A flush stained her smooth cheeks.
Annie remembered the wrinkled parchment face of Twila Foster and the tremor in her old voice. âThere is one way to get proof.â Annieâs throat ached. Please, God, help us now. She spoke fast.
When she was
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