also warm me and hold me. So I make a fear up for Luke, one I donât tell my father.
What would Lukeâs fear be? Not the 95 bridge. Not the cars screaming. Not the speed of the current if a guy jumps. All these can ease a body. His fear is behind the eyes. It wedges his eyelids open. I imagine the clock ticking, the waves against the rocks, nothing he wouldnât do for sleep. His fear is that he canât go there. What do you do if you canât sleep? He needs to keep sorting the net as it flies through the winch and shave the snow from his nostrils and mouth the way Iâve seen my father do on the boat. And now he doesnât have a boat and that adds to his sleeplessness.
Pilot wakes and paces by the door, as if she feels tension in the house and sheâs worried we might leave.
SPANISH DANCER
Rosa holds out a white paper bag. âMy mother made these.â Inside are warm circles of pastry sprinkled with cinnamon. â Pastelitos ,â Rosa says.
We sit at the Formica table and eat, dusting our lips in confectionersâ sugar.
âItâs illegal,â I say. âBut weâll do it out of the garage. Word of mouth. You in?â
âWhat do you mean itâs illegal?â
âNothingâs going to happen. Itâs a fisherman thing.â
Rosa lifts her guitar and begins to strum.
âWeâre just selling shrimp, right?
âThatâs all weâre doing. Just a hundred pounds. One tote.â
âI donât see why youâre doing it. If itâs illegal.â
âIf I can sell for himâby myself, to see how it worksâit will change our whole business model. Weâre not making it.â
âSofie, nobodyâs making it in the business. Itâs not your dad. Itâs the ocean.â
I feel my lips grow taut like my fatherâs when heâs angry, even though I know sheâs right. Just last night Pete was talking about selling his quota of what the government allows him to catch to try to get out from under some of his debt.
âForget it, Rosa. Just forget it, okay?â
Now Rosa tries to fix us. She says, âOkay, so my momâs a pastry cook. What do I know?â
I donât answer. I want to say, Youâre right . . . you donât know anything.
âIâm worried about you, Sofie. Donât you eat anymore? Look at you.â
She reaches forward, runs her hands down my cheekbones. I put my face up to hers and trace my lips with my finger to show her the confectionersâ sugar I can still taste.
âWho doesnât eat?â And she traces her lips with her finger and we stick out our tongues and we laugh. But itâs true about how little I feel like eating.
âIâll do it,â she says.
I say, âI have to fix the ocean. We need to make it here together, my father and me. Or heâs leaving.â
Rosa puts her guitar down and pulls up a song sheâs been learning on her phone.
âHold off,â Rosa says. âFix the ocean later. Get your guitar.â
âNo, you play.â
We listen to this melody while I begin to letter a sign for our illegal trade on the back of an old poster project.
Rosa plays along to the song on her guitar, âSpanish Dancer.â Itâs a girl nervous about love, wondering what it was like for her mother, when she was young.
I pull up the chain of the dog tag that I now wear around my neck.
Sanna
Lucas
O negative
Protestant
Universal donor. His blood will match with anybodyâs. Even mine.
- - -
We wear half gloves with the red tips of our fingers working machine fast. We pack plastic bags with Mrs. Tuttleâs shrimp. Put ten bags of shrimp over ice in an ice chest, with the sign mounted on poster board. Sweet Northern Shrimp Fresh Off the Karma.
We sit, our heads propped on our mittened hands, ready. Drivers do stop.
âHow much would it cost for shrimp without heads, ready to cook?â a
T. A. Martin
William McIlvanney
Patricia Green
J.J. Franck
B. L. Wilde
Katheryn Lane
Karolyn James
R.E. Butler
K. W. Jeter
A. L. Jackson