Educated

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Authors: Tara Westover
Tags: antique
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one child who doesn’t fit, whose rhythm is off, whose meter is set to the wrong tune. In our family, that was Tyler. He was waltzing while the rest of us hopped a jig; he was deaf to the raucous music of our lives, and we were deaf to the serene polyphony of his.
    Tyler liked books, he liked quiet. He liked organizing and arranging and labeling. Once, Mother found a whole shelf of matchboxes in his closet, stacked by year. Tyler said they contained his pencil shavings from the past five years, which he had collected to make fire starters for our “head for the hills” bags. The rest of the house was pure confusion: piles of unwashed laundry, oily and black from the junkyard, littered the bedroom floors; in the kitchen, murky jars of tincture lined every table and cabinet, and these were only cleared away to make space for even messier projects, perhaps to skin a deer carcass or strip Cosmoline off a rifle. But in the heart of this chaos, Tyler had half a decade’s pencil shavings, cataloged by year.
    My brothers were like a pack of wolves. They tested each other constantly, with scuffles breaking out every time some young pup hit a growth spurt and dreamed of moving up. When I was young these tussles usually ended with Mother screaming over a broken lamp or vase, but as I got older there were fewer things left to break. Mother said we’d owned a TV once, when I was a baby, until Shawn had put Tyler’s head through it.
    While his brothers wrestled, Tyler listened to music. He owned the only boom box I had ever seen, and next to it he kept a tall stack of CDs with strange words on them, like “Mozart” and “Chopin.” One Sunday afternoon, when he was perhaps sixteen, he caught me looking at them. I tried to run, because I thought he might wallop me for being in his room, but instead he took my hand and led me to the stack. “W-which one do y-you like best?” he said.
    One was black, with a hundred men and women dressed in white on the cover. I pointed to it. Tyler eyed me skeptically. “Th-th-this is ch-ch-choir music,” he said.
    He slipped the disc into the black box, then sat at his desk to read. I squatted on the floor by his feet, scratching designs into the carpet. The music began: a breath of strings, then a whisper of voices, chanting, soft as silk, but somehow piercing. The hymn was familiar to me—we’d sung it at church, a chorus of mismatched voices raised in worship—but this was different. It was worshipful, but it was also something else, something to do with study, discipline and collaboration. Something I didn’t yet understand.
    The song ended and I sat, paralyzed, as the next played, and the next, until the CD finished. The room felt lifeless without the music. I asked Tyler if we could listen to it again, and an hour later, when the music stopped, I begged him to restart it. It was very late, and the house quiet, when Tyler stood from his desk and pushed play, saying this was the last time.
    “W-w-we can l-l-listen again tomorrow,” he said.
    Music became our language. Tyler’s speech impediment kept him quiet, made his tongue heavy. Because of that, he and I had never talked much; I had not known my brother. Now, every evening when he came in from the junkyard, I would be waiting for him. After he’d showered, scrubbing the day’s grime from his skin, he’d settle in at his desk and say, “W-w-what shall we l-l-listen t-t-to tonight?” Then I would choose a CD, and he would read while I lay on the floor next to his feet, eyes fixed on his socks, and listened.
    I was as rowdy as any of my brothers, but when I was with Tyler I transformed. Maybe it was the music, the grace of it, or maybe it was his grace. Somehow he made me see myself through his eyes. I tried to remember not to shout. I tried to avoid fights with Richard, especially the kind that ended with the two of us rolling on the floor, him pulling my hair, me dragging my fingernails through the softness of his face.
    I

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