E is for Evidence

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and telephone number. She assured me he was sitting in his office even as we spoke.
    I dialed his apartment and was reassured to hear the answering machine pick up. I changed into a pair of blue-gray slacks with a pale stripe along the seam and a matching pale-blue shirt with Southern California Services stitched around a patch on the sleeve. I added hard black shoes left over from my days on traffic detail with the Santa Teresa Police Department, tacked on a self-important key ring with a long chain, and grabbed up a clipboard, my key picks, and a set of master keys. I checked myself out in the mirror. I looked like a uniformed public servant just about to make a routine service check—of what, Iwasn’t sure. I looked like I could read meters and make important notes. I looked like I could verify downed lines and order up repair crews on the mobile phone in my county-owned maintenance vehicle. I hopped in my car and headed out to Andy’s condominium for a little B & E.

 
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7
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    The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the outskirts of town. “Copse” as in “a thicket of small trees.” “Hurst” as in “hillock, knoll, or mound.” And “bourne” as in “brook or stream.” All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn’t have just been called Shady Acres, which is what it was. Apparently people aren’t willing to pay a hundred and fifty thousand dollars for a home that doesn’t sound like it’s part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, withthe British gentry. I had already passed Essex Hill, Stratford Heights, and Hampton Ridge.
    The Copse at Hurstbourne was surrounded by a high wall of fieldstone, with an electronic gate meant to keep the riffraff out. The residents were listed on a mounted panel beside a telephone handset with push-buttons, and an intercom. Each occupant was assigned a personal entry code that one had to have in order to gain admittance. I know because I tried several sequences at random and got nowhere. I pulled over and waited until another car approached. The driver punched in his code. When the gate rolled back, I tucked my car in behind his and sailed through. No alarms went off. I wasn’t set upon by dogs. Security measures, like the property’s pedigree, were largely in the mind of the marketing team.
    There were maybe twenty buildings in all, eight units each, gray frame with white trim in a Cape Cod style, all angles, mullioned windows, and wooden balconies. Sycamore and eucalyptus trees still graced the terrain. Winding roads led in two directions, but it was clear that both came together in the same rear parking lot rimmed with carports. I found a visitor’s space and pulled in, checking the building directory which sported a plot map of units.
    Andy Motycka’s was number 144, located, happily, at the far reaches of the property. I took my clipboard and a flashlight and tried to look as officious as Icould. I passed the recreational facility, the spa, the laundry rooms, the gym, and the sales office. There were no signs of children. Judging from the number of empty carports, my guess was that many of the residents were off at work somewhere else. Wonderful. A band of thugs could probably sweep through and clean the place out in half a day.
    I moved around some Cape Cod-style garbage bins and went up a set of outside stairs to the second floor of building number 18. The landing of the apartment next door to Andy’s was attractively furnished with shoulder-high ficus and assorted

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