E Is for Evidence

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Authors: Sue Grafton
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promised me something in a day. On an impulse, I asked her to check out Andy Motycka while she was at it. Financial information on Wood/Warren I'd have to get from the local equivalent of Dun amp; Bradstreet. My best source of information was going to be California Fidelity itself, for whom Lance Wood had no doubt filled out count-less forms in applying for coverage. I was hoping I could enlist Darcy's aid again on that one. It was amazing to me how much more appealing she seemed now that she was on my team. I trotted back to pick up my car.
    As I pulled out of the parking lot behind the building, Andy was just pulling in, pausing while the machine stamped and spat a ticket through the slot. He pretended he didn't see me.
    I drove back to my apartment. I'd never paid much attention to the looming importance of the office in my life. I conduct maybe 40 percent of all business in my swivel chair, telephone in the crook of my neck, files close at hand. Sixty percent of the time I'm probably on the road, but I don't like feeling cut off from my reference points. It puts me at a subtle disadvantage.
    It was only 10:05 and the day loomed ahead. Out of habit, I hauled out my little portable Smith-Corona and started typing up my notes. That done, I caught up with some filing, prepared some bills for a couple of outstanding accounts, and then tidied up my desk. I hate sitting around. Especially when I could be out getting into trou-ble. I gave Darcy a call at CF and got Andy 's new address and telephone number. She assured me he was sitting in his office even as we spoke.
    I dialed his apartment and was reassured to hear the answering machine pick up. I changed into a pair of blue-gray slacks with a pale stripe along the seam and a match-ing pale-blue shirt with Southern California Services stitched around a patch on the sleeve. I added hard black shoes left over from my days on traffic detail with the Santa Teresa Police Department, tacked on a self-important key ring with a long chain, and grabbed up a clipboard, my key picks, and a set of master keys. I checked myself out in the mirror. I looked like a uniformed public servant just about to make a routine service check-of what, I wasn't sure. I looked like I could read meters and make important notes. I looked like I could verify downed lines and order up repair crews on the mobile phone in my county-owned maintenance vehicle. I hopped in my car and headed out to Andy 's condominium for a little B amp; E.

7
    The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the out-skirts of town. "Copse" as in "a thicket of small trees." " Hurst " as in "hillock, knoll, or mound." And "bourne" as in "brook or stream." All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn't have just been called Shady Acres, which is what it was. Apparently people aren't willing to pay a hundred and fifty thousand dollars for a home that doesn't sound like it's part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, with the British gentry. I had already passed Essex Hill, Strat-ford Heights, and Hampton Ridge.
    The Copse at Hurstbourne was surrounded by a high wall of fieldstone, with an electronic gate meant to keep the riffraff out. The residents were listed on a mounted panel beside a telephone handset with push-buttons, and an intercom. Each occupant was assigned a personal entry code that one had to have in order to gain admittance. I know because I tried several sequences at random and got nowhere. I pulled over and waited until another car ap-proached. The driver punched in his code. When the gate rolled back, I tucked my car in behind his

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