WERE rich on the day Trey Barossa left. The seam of fledge was wide, the mood among the miners high, the song at the end of the dig vibrant. On his food break Trey had sat back, chewed a fistful of fledge and drifted, penetrated the earth, moved through a mile of rock to flit against Sonda Susard’s mind, and there he had sensed an interest. He was a part of her thoughts, and he liked that. He hoped that given time she would cast her mind back and see what he thought of her.
Wending their way through the shafts toward home, songs echoing back in carefully judged harmonies, it could have always been like this. There had never been machines to help them mine. There had never been machines to take fledge up to the surface. Things, Trey could have believed, had been like this forever.
Trey followed along near the rear of the line. The song echoed back to him, each echo intricately timed with allowance for tunnel travel and multiple reverberation from the mine walls, so that every miner heard a slightly different song. In the pitch black he could feel the sound waves impacting his skin, stirring the fine hairs on his face and around his ears. He added his own few words where appropriate and heard them blending with the whole, being swallowed and modified and expanded by echoes already living along the tunnel tonight. The song left the group and found its own routes back to the fledge face they had recently left. Sometimes it would remain there and fade into the earth itself, enriching it. Other times it would escape into a crack or vent too fine for any of the miners to work their way through, and on occasion a song would be heard ages away in another part of the mine, hours or days after its original singing. It was not magic, this strange transference, though irresponsible parents often told children that lie. It was simply one of the strange ways of the mine. It was easy to get lost down here.
Trey held out his arms as he walked, trailing his fingers along the rock walls when he came close enough. There would be some subdued light back in their homes, but mostly they worked and lived in total darkness. They had been excavating the current fledge vein for a thousand shifts now, and any one of them could have found his or her way back to the home-cave with nothing to guide their way. Every day after their shift there were signs: the scents of cooking, strength and direction drawing them on; the gentle hum of occupation, a background noise made of the bleat of goats, the muttering of people, the pounding feet of larking children. And the home-cave itself exuded a gravity, something apart from the senses that also gave out its own strong signal. Down here in the mines, death was always close by. Safety, and family, were strong draws.
So he touched the walls of the old tunnel, marveling that everyone who had worked on this particular stretch was now long dead and gone. He felt individual pick marks in the rock, and made out signature impacts: here, a left-handed miner had made his mark; there, someone right-handed; here, someone who had used their pick sideways instead of straight up and down. There were more definite signatures too, and Trey recognized one or two carved names from the countless other times he had run his fingers along these walls. He wondered at the history behind them, who they had been, whether any of them had ever gone topside. These tunnels held history in their rocky embrace, more ancient the nearer they came to the home-cave.
As usual, when they came to the suddenly smoothed seam in the rock that marked the time when machines had been at work, Trey took his hands away.
The songs died down as the miners walked through these machine-excavated tunnels. The routes had been made more than three hundred years before, when many things had been different. The echoes of their footfalls told Trey that there were occasional hollow pockets in the tunnel walls; evidence that fledge had been taken out. He wondered
Wending their way through the shafts toward home, songs echoing back in carefully judged harmonies, it could have always been like this. There had never been machines to help them mine. There had never been machines to take fledge up to the surface. Things, Trey could have believed, had been like this forever.
Trey followed along near the rear of the line. The song echoed back to him, each echo intricately timed with allowance for tunnel travel and multiple reverberation from the mine walls, so that every miner heard a slightly different song. In the pitch black he could feel the sound waves impacting his skin, stirring the fine hairs on his face and around his ears. He added his own few words where appropriate and heard them blending with the whole, being swallowed and modified and expanded by echoes already living along the tunnel tonight. The song left the group and found its own routes back to the fledge face they had recently left. Sometimes it would remain there and fade into the earth itself, enriching it. Other times it would escape into a crack or vent too fine for any of the miners to work their way through, and on occasion a song would be heard ages away in another part of the mine, hours or days after its original singing. It was not magic, this strange transference, though irresponsible parents often told children that lie. It was simply one of the strange ways of the mine. It was easy to get lost down here.
Trey held out his arms as he walked, trailing his fingers along the rock walls when he came close enough. There would be some subdued light back in their homes, but mostly they worked and lived in total darkness. They had been excavating the current fledge vein for a thousand shifts now, and any one of them could have found his or her way back to the home-cave with nothing to guide their way. Every day after their shift there were signs: the scents of cooking, strength and direction drawing them on; the gentle hum of occupation, a background noise made of the bleat of goats, the muttering of people, the pounding feet of larking children. And the home-cave itself exuded a gravity, something apart from the senses that also gave out its own strong signal. Down here in the mines, death was always close by. Safety, and family, were strong draws.
So he touched the walls of the old tunnel, marveling that everyone who had worked on this particular stretch was now long dead and gone. He felt individual pick marks in the rock, and made out signature impacts: here, a left-handed miner had made his mark; there, someone right-handed; here, someone who had used their pick sideways instead of straight up and down. There were more definite signatures too, and Trey recognized one or two carved names from the countless other times he had run his fingers along these walls. He wondered at the history behind them, who they had been, whether any of them had ever gone topside. These tunnels held history in their rocky embrace, more ancient the nearer they came to the home-cave.
As usual, when they came to the suddenly smoothed seam in the rock that marked the time when machines had been at work, Trey took his hands away.
The songs died down as the miners walked through these machine-excavated tunnels. The routes had been made more than three hundred years before, when many things had been different. The echoes of their footfalls told Trey that there were occasional hollow pockets in the tunnel walls; evidence that fledge had been taken out. He wondered
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