enough. What am I supposed to do?â
Thereâs silence for a moment as they look at her. What do they see? Someone pitiable?
Not Aggie. âIâve never known what you were supposed to do, June,â she says. âYouâre the expert on that. Youâre the one who always knows what everybodyâs supposed to do.â
George, however â maybe drawn by Juneâs passion? â says, âI can see it must be hard for you. But there must be a solution that would suit you both.â
Oh naive, hopeful, cowardly young man. âThat would be a first,â Aggie says.
âWell, there are homemakers who come in, or the VON. I could probably arrange for somebody, say once or twice a week, even if itâs just to keep an eye.â
âLook, this is my home,â Aggie objects firmly. âI donât want to be knee-deep in strangers. Letâs get this straight. I do understand itâs hard for June, I do realize sheâs getting on, and I know Iâm not easy to deal with. After all, Iâm the one who carries this,â gesturing across her body, âall the time. I know better than anyone how heavy I am. But Iâm hardly helpless, and Iâm not about to leave my home. Youâll get it eventually, June, but I do feel you might wait.â
âNow, now,â George says, his hands patting the air, tamping something down that insists on bobbing up again, âthereâs no need, not until we know just whatâs wrong. And then Iâm sure things can be worked out, it just takes some giving on both sides.â
âThatâs your only advice?â June asks, the sharpness of her tone, she realizes as soon as the words are out, offsetting her advantage.
âWell, Iâve made a suggestion or two to Aggie. Iâve got to go now. You two talk things over, and if I can do anything by way of arranging a homemaker or whatever, just let me know. And Iâll let you know, of course, if we need to do any more tests.â
Aggie starts in as soon as heâs left. âWell, June, it seems you do have things to say for yourself. I must say, you express yourself quite plainly when you put your mind to it.â
âWe have to do something. You must see that. And anything could happen. Anything.â
âMy dear girl, Iâve been telling you that for years. Why pick now to believe me?â
There is no nodding white-haired gentleness in Aggie now, with her little pig-eyes snapping out from the pouches of flesh. The bigger she gets, the smaller her features seem. Now she looks like one of those gingerbread cookies she used to make, just raisins set in for eyes.
âLook, June, itâs my risk after all. Itâs my death you seem to be worrying about. And as I said before, itâs my house. You may stay or go as you please, but I stay.â
But this house is in Juneâs blood. This is the one place in the world she belongs. Here is where her father came through the door at night, and where he told her stories and read to her. Here is where she later felt his spirit hovering. She still has some idea of at least a part of him here, watching out for her. The one time she did leave, she found herself exposed, unsafe. She distinctly remembers her mother saying, years ago, âI hate this goddamned house.â That was when Juneâs father was alive, so maybe she wasnât talking exactly about the house. But June loves this place, the home of her earliest, best self.
âSo, June, whatâs it to you if Iâm willing to take the chance that if I stand up, I might fall down, or if I try to move too fast my heart will stop? I donât see youâd have to actually do very much if you came home and found me dead on the floor. Make a couple of phone calls, maybe. But then you could step right over me and make yourself a cup of tea and be out of the room in no time, and by the time you looked again Iâd be gone. One
Cat Mason
David-Matthew Barnes
T C Southwell
His Lordship's Mistress
Kenneth Wishnia
Eric Meyer
Don Brown
Edward S. Aarons
Lauren Marrero
Terri Anne Browning