Dry Storeroom No. 1

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Authors: Richard Fortey
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some expatriates by the need to alleviate the boredom of duties carried out far from home; others may have made natural history collecting part of a wider programme of exploration. Terrestrial snails were sent to the Natural History Museum by the splendidly named Henry Haversham Godwin-Austen from India, where, among other things, he surveyed the world’s second highest mountain, K2, or Mount Godwin-Austen. Many collectors were talented artists, and women, in particular, were often trained in the skills of watercolour painting. Colours in life could be accurately recorded, even if the collecting process dimmed the original. Then, too, the postal system of the Empire was very efficient, so that collectors could receive encouragement and requests for more specimens from the appropriate Keeper or curator at a museum. From some parts of the world, such as Burma, it was easier to communicate then than it is now.
    Many private collections made by moneyed individuals eventually found their way into the national collections by bequest or donation. I might mention as one example the collection of Allan Octavian Hume from the Indian Empire acquired in 1885, with 63,000 bird skins, 19,000 eggs and, as an afterthought, 371 mammals. Or there is the famous Lepidoptera (butterfly and moth) collection, comprising some hundred thousand specimens, left as a bequest by Edward Meyrick in 1938, the product of his lifetime’s learning and publication. Some collections were purchased; Hugh Cuming’s collection of shells was bought in 1866 for the appreciable sum at the time of £6,000, and a special grant was made from Parliament to buy it. It comprised 82,992 specimens. That is more than a dozen for a pound, which actually sounds quite reasonable. Overall, the collections grew apace, mostly filling up those cabinets behind the scenes, so that the general public would have been unaware of the increase. In terms of sheer numbers, the entomologists always win. According to William T. Stearn, the insect collections had grown from 2,250,000 specimens in 1912 to some 22,500,000 in 1980. For the whole Natural History Museum, the latest figure is eighty million specimens. Such a number is quite incomprehensible as a quantity. Who could say if a huge pile of wheat in front of them comprised a million, ten million or eighty million grains? We simply do not see large numbers that precisely. Perhaps the more meaningful image is that of the ranges of drawers I saw stretching away into the distance when I explored the far reaches of the Entomology Department all those years ago. There was a vision of the scale of life, shelves and shelves of it, stretching away apparently for ever. That is the extent of our responsibilities.

    Making known the zoological treasures of Empire: the cover of Allan Octavian Hume’s journal
Stray Feathers
    One of the few things one can admire about the British Empire was its propensity to make museums and botanical gardens. A few years ago, I visited the Indian Museum in Calcutta, another huge and serious building in which the artefacts of the subcontinent were housed. The old Indian Geological Survey was nearby, and there were preserved trilobite specimens collected at the end of the nineteenth century, still in their original cardboard boxes. It was as if the whole place had been preserved perfectly since the British left, a kind of fossilized museum. The curation system still worked, although the twenty-first century had yet to impact on the organization. The same old typewriters were still at the deal desks as they had been in 1947. A clerk arrived at 10 a.m. every day and dusted them off with a feather duster, and then proceeded to do little visible work for the rest of the day. Flies buzzed in the sleepy heat of the afternoon. In the same city was a Botanical Garden, magnificent in decay. The old pavilions had literally gone to seed. Once formal flowerbeds were now overrun with native creepers. It was sad to see a system

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