don’t need
to waste my time.
Scowling, Tom knocks on the door.
ANGLE ON THE DOOR
The POLICEMAN opens the door from outside.
POLICEMAN
All through in
here, Dr Lake?
TOM
I guess we are.
He is about to exit when ...
CAT
(soft)
Cat.
TOM
She talks .. .
(to policeman)
Maybe you better
give us a few more minutes.
The policeman closes the door, leaving them
alone.
TOM
Did you say
something?
CAT
(a beat, then:)
Cat.
TOM
Cat? Like in
Catherine?
CAT
Cat. Name,
(shy smile)
Toe Mas.
Cat speaks with a slight ACCENT. Nothing we
can easily put a finger on, nothing that suggests any known country or region,
but a musical lilt to her words that hints that somehow she is a stranger in
this place.
TOM
Bingo. Toe Mas. Toe
Mas Lake
(beat)
How about an
address? Do you have a family? A boyfriend? Anyone we can
contact?
(no response)
Where did you come
from?
Cat gets up from the floor.
CAT
Earth.
TOM
That clarifies
things. What part of Earth?
CAT
Angels.
TOM
Angels ... you mean
L.A.? Los Angeles? Here?
CAT
Not here. There.
Angels.
TOM
Okay. How did you
get from there to here?
CAT
Door.
Now it’s his turn to look blank.
TOM
On the freeway? A
car door?
CAT
Door between,
(impatient)
Leaving now, Toe
Mas. Going now. Getting out.
She gets up, strides to the door, pulls at
it It’s locked She looks at Tom, expecting him to help.
TOM
That door only
opens for me right now. Sorry.
Firmly, but gently, he moves her away from
the door, KNOCKS. THE POLICEMAN IN THE HALL OPENS FOR HIM.
TOM
Look, my girlfriend’s
a lawyer. I’ll talk to her. That’s all I can do for you right
now.
CAT
Not knowing lawyer.
TOM
You really must be
from another country.
He EXITS, the door closes, and Cat throws
herself on the bed, frustrated and trapped.
DISSOLVE TO
EXT. - BEACHFRONT APARTMENT - NEAR DAWN
Tom’s car, a little Mazda Miata, pulls up
in front of a ramshackle old wooden
apartment building by the beach.
INT. - TOM’S BEDROOM - DAWN
A woman is asleep in a big brass bed, under
a rumpled sheet. In b.g. are lots of
bookcases crammed with medical texts, law books, and paperbacks. Right over the
bed, very prominent, is Tom’s framed antique poster for a performance featuring
HARRY HOUDINI. The woman in the bed is in her late twenties, pretty, with long
red hair. Her name is LAURA.
Tom sits on the bed beside her. He touches
her shoulder, gently, Laura rolls over,
muttering a protest. Tom shakes her a little harder. Her eyes open.
LAURA
(sleepy)
Tom? Is that you?
What time is it? You just get home?
(glances at clock)
Oh, god, it’s too
early. Go away. Leave me alone.
Laura rolls over and pulls the sheet back
over her head. Tom gently tugs it down again.
TOM
Wake up. Coffee’s
on. Jump in the shower and put on your shyster hat. I
need help.
Tom moves off. Laura sighs, stirs. She sits
up in bed, grumpy but awake.
INT. - TOM’S KITCHEN - DAWN
Laura sits at the kitchen table. She has
slipped into a terrycloth robe. Her hair is still tousled from sleep. She
cradles a steaming mug of coffee and listens. Tom paces the kitchen floor,
restless, angry.
TOM
I tell you, there’s
something very strange about this
Anya Richards
Jeremy Bates
Brian Meehl
Captain W E Johns
Stephanie Bond
Honey Palomino
Shawn E. Crapo
Cherrie Mack
Deborah Bladon
Linda Castillo