surgeons and the like. At the end of the day we’re all fighters, and that’s all there is to it.”
I feel like I should protest, that I should try to say something in defense of my fallen friend and fight in his corner, but I know there’s no point. She’s right. Christ, it was only this morning that I was thinking about walking out on him anyway.
“A fighter who can’t fight,” she continues, preaching at me, “is just a corpse. If you want to do something to help him, then find yourself a gun and put a bullet in his head.”
9
I’M AWAY FROM THE slaughterhouse and the corpses and the flies and the stench now, and the land stretches out in front of me forever. The sun-bleached, knee-high grass shifts lazily from side to side in the warm wind like waves on a gently rolling sea. The world is suddenly absolutely beautiful, calm and almost completely silent. I feel strong and relaxed, revitalized and ready for the next fight. It’ll be time to leave soon.
I take a few steps forward, the blazing sun blinding me and burning my skin, my boots trampling down the long grass and leaving a flattened trail behind me. Considering how close to the cull site this place is, it’s remarkably tranquil and clear. Ahead of me there’s nothing, the land from here to the horizon barely even undulating, only a handful of distant, parched trees daring to stretch up from the yellow-green ground into the intense blue sky above.
Wait. What was that?
I hear something. The rustle of grass. Footsteps? I’m starting to think it was just the wind when, a few yards ahead of me, a childlike figure appears, emerging from the long grass where it had been hiding. Virtually naked and desperately thin; I can’t even tell from here what sex it is. It slowly stands upright, watching me intently, swaying slowly. I don’t care who or what it is. I know that I have to kill it.
I start sprinting, totally focused on catching the small figure up ahead and nothing else. He runs (I can tell from the way he moves it’s a male) and makes a sudden, darting turn to the left, moving far faster than me. The gap between us increases, and I follow his trail through the flattened grass, around and around in a lazy arc until I end up back where I started. The child disappears momentarily, and as I scan the horizon I see that up ahead of me now are the ruins of my hometown. It’s been weeks since I’ve been here, but it’s almost exactly as I remember, just a little dirtier than before. The dark, ugly buildings are in stark contrast to the beauty of everything else. There’s a steady haze of smoke, wisps of white climbing up between the tallest buildings and clouds of dirty gray lying at street level like a heavy fog.
I’ve completely lost sight of the child now, but the trail of trampled grass will lead me straight to him. I start running again. The chase is getting harder now. The air is scorched and dry, and I can feel the fierce sun burning the skin on my bare back. I force myself to keep moving forward, driven on by the thought of killing again. My mouth salivates at the prospect of tearing Unchanged flesh from bone…
A thin strip of brittle hedge marks the farthest edge of the grassland. I crash through, ignoring the spiteful branches and thorns that slash at my skin, then keep running along an empty street I don’t recognize. There are buildings rising up on either side of me now, dilapidated and skeletal but still tall and imposing enough to finally block out the sun. It’s hard to see anything in the sudden change from light to dark, and it’s ice cold in the shadows. Disoriented, I start to slow down. The child I’m chasing is long gone.
I hear footsteps again-more than one person this time, and they’re behind me. I turn around and see a huge crowd of people charging up the long straight street after me. There’s enough of them to fill the entire width of the road, but their true numbers are masked by the worsening gloom. I start to
James Leck, Yasemine Uçar, Marie Bartholomew, Danielle Mulhall
Michael Gilbert
Martin Edwards
Delisa Lynn
Traci Andrighetti, Elizabeth Ashby
Amy Cross
Kevin J. Anderson, Rebecca Moesta
James Axler
Wayne Thomas Batson
Edie Harris