Diamond Solitaire

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Authors: Peter Lovesey
response to the greeting, or the dip of the head may have been part of his running action. It wasn't in his nature to greet people, even in less demanding circumstances. After just a few minutes of slow jogging, he was moving with a spastic jerkiness and taking noisy gulps of air.
    A long exchange was clearly out of the question, so Leapman drew alongside and came quickly to the point "There's a hitch in our arrangement, I'm sorry to say."
    Gatti stopped jogging and turned away from Leapman, flapping his hands at his entourage to step back and give him some privacy. They reversed several paces. The procession set off again with a decent gap in the ranks.
    "What are you trying to tell me?"
    Leapman resumed, "Manny Flexner saw his doctor for a checkup and found that he has only a few months to live."
    "So?"
    "So that's the problem."
    "His problem, not mine," Gatti wheezed.
    "With respect, it isn't so simple as mat He says he's going to step down."
    "Resign?"
    "Yes."
    "What's wrong with that?"
    "He wants to nominate his son to replace him."
    "He has a son?"
    "Yes."
    "You didn't tell me."
    "I'm sorry, Mr. Gatti. I know I should have mentioned k before now. I didn't rate David Flexner at all. He takes no interest in the business."
    "Is he on the Board?"
    "Yes, but—"
    "You didn't rate him, huh?"
    "Well, no."
    "Flexner's own son? You didn't rate him?"
    The questions appeared to indict Leapman and he was becoming alarmed. "He sits through the Board meetings and says nothing," he said in his own defense.
    Massimo Gatti stopped running again. The pursuers stopped, too far off to overhear anything. Leapman stood tamely, waiting for Gatti to recover his bream. "We made an agreement, Mr. Leapman," the little man eventually succeeded in saying. "You needed funds. You came to me with a proposition. Fine. My people were impressed with your scheme. So we backed you. We did as you suggested. We took out the factory in Milano. And two good men were killed."
    Horrified, Leapman was quick to say, "That wasn't my suggestion, Mr. Gatti. You wanted to buy in at the lowest price. I wouldn't have recommended arson."
    "Good men killed," Gatti reiterated. "For nothing."
    "Not for nothing. Let's be frank—the fire achieved what you wanted. Manflex shares plunged on the news. The price recovered a little after you started buying. It was you, wasn't it? You and your associates, buying at rock-bottom prices?"
    There was no response.
    "The shareholders are losing confidence," Leapman insisted. "Manny Flexner's position as Chairman is untenable. I'm certain I could have achieved a boardroom coup. Manny has no rescue plan. The cupboard is bare."
    "So what's different?"
    "He's dying, and it's altered the equation. People who would have supported me are going to back his son out of sympathy or loyalty. Manny's dying wish and all that crap. There's no way I can pull this off right now."
    Gatti stared at him. "Mr. Leapman, I don't give a shit who is Chairman. You enter a billion-dollar agreement with me, you deliver. You know what happens when an agreement breaks down."

    Just three days after his arrival in Italy, David Flexner was installed in a temporary office suite in Milan with telephone system, fax machine, photocopier, word processor, computer and PA—whose name, fittingly, was Pia. She had short, Titian-red hair and garnet-colored eyes. Pia was so watchable that David had instantly decided she would get the female lead if he ever actually got to make a film in Italy, never mind whether she could act. The fact that she also spoke English like a BBC newscaster and could use all the hardware seemed of trifling importance when she first walked in. She was not, he hazarded from the swing of her hips, a diehard feminist Nor, for that matter, was he.
    Diverting as the gorgeous Pia was, in the crisis resulting from the fire there wasn't time to observe her. Rico Villa had set up appointments with the insurers, the union representatives, the employment office

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