or at a bar heâs trying to get on a bill with us thatâs already been booked. Fuck him.â
âYeah, well,â I say, âI agree with some of the stuff you just said, but the guy cuts me major deals on coke. I mean, he slashes the price big-time.â
âI know he does,â Daniel says.
The Joshua guy walks to his record player and starts flipping through his records and asks if there are any requests.
âYou got any Ritchie Valens?â I ask.
âI actually do.â
âWhat album?â
â Come On, Letâs Go .â
âThatâs the best one,â I say. âPut it on.â
âDone.â
A huge mirror gets passed around, and Kat hands it to me and I take a line and pass it to Marco, and Marco does one and passes it to Sebastian.
And Iâm really digging the feel of this room. Like, a lot. A whole lot. It has this striking aura of familiarity about itâthe Buddy Holly and Al Green and Will Oldham posters on the wallâfurniture pushed into corners and covered with cigarette burnsâdirty clothes and spilled ashtrays and porn magazines and empty bottles of everything smeared all over the floorâdirty dishes on the computer deskâa collection of Melvins and Neil Young album covers pinned to the back of the door.
The mirror and my Jim Beam keep going and going and at one point, this older dude, maybe late forties, missing some teeth from obviously grinding them out, who looks like heâs been up for a few days doing speed, pulls me aside and says, âHey, man. I read your book. I really dug it. I mean, there were some things that I wouldâve done differently, but I still dug it.â
âThanks, dude.â
âMy nameâs Only Owen.â
âYou write?â
âA little bit,â he says. âIâve been working on this collection of haikus and a journal about ramen noodle recipes.â Pause. I watch him grind his teeth together super hard. Then, âI do have a great story idea for a screenplay I wanna get cracking on.â
âWhatâs the story?â
âWhat?â
âYour story.â
âWhat story?â
âThe one you just told me you were gonna start working on for your screenplay.â
âOh right. The screenplay.â
âWhatâs the idea?â
The guy slides his purple-tinted tongue over his white-caked lips and goes, âItâs about this guy who really likes this girl and becomes obsessed with her and starts, like, really losing his mind over her. He, like, wigs out and tries to kill that band the Darkness because sheâs really into them a lot, and then he tries to burn down her house and shit.â Pause. âThatâs it. What do you think?â
âItâs pretty all right.â
âThank you.â
âYouâre welcome.â
âAnyway,â he says. âYou know that guy Jared, the dude who plays bass for King Cobra and the Beershits? Thatâs what he told me. I used to live with him a few years back in the Loin.â
âI know him. I havenât seen him in a while. Howâs he doing?â
âHeâs just livinâ his life, ya know. The last time I saw him was outside Hotel Utah last week. He was walking back and forth between a light pole and a fire hydrant, and then he stopped and just leaned against the pole. His body was still maneuvering all right, it was just waiting for his mind to turn back on.â
âSounds like the right dude.â
âI know, man. Totally. Sounds about right cos it is about right.â
âAbsolutely,â I say.
â¢Â â¢Â â¢
Iâm in the bathroom taking a leak when Kat walks in and locks the door behind her.
âWhy donât you ever call me back?â she wants to know.
âJesus Christ, Kat. Iâm pissing.â
âJust answer the question, James.â
âDo you even call?â I ask. âI donât
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